Compositor
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Compositor
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Digital Artist: The Embassy
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Visual Effects Editor: The Embassy
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Visual Effects Editor: The Embassy
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Editor: The Embassy
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Visual Effects Editor: The Embassy Visual Effects
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Digital Compositor
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor
'Psych' You Can't Handle This Episode (2010)
Directed by: Mel Damski
Cinematography by: Michael McMurray
Edited by: Dexter N. Adriano
Compositor
Gunless (2010)
Directed by: William Phillips
Cinematography by: Gregory Middleton
Edited by: Susan Maggi
Digital Compositor
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Artist: The Moving Picture Company
Ramona and Beezus (2010)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Digital Compositor
'Psych' High Top Fade Out (2009)
Directed by: Stephen Surjik
Cinematography by: Michael McMurray
Digital Compositor
'Psych' Let's Get Hairy (2009)
Directed by: Andrew Bernstein
Cinematography by: Michael McMurray
Edited by: David Crabtree
Digital Compositor
The New Daughter (2009)
Directed by: Luiso Berdejo
Cinematography by: Checco Varese
Compositor: Technicolor Creative Services Vancouver
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Digital Compositor
The Haunting in Connecticut (2009)
Directed by: Peter Cornwell
Cinematography by: Adam Swica
Edited by: Tom Elkins
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Digital Compositor
'Psych' Shawn Takes a Shot in the Dark (2009)
Directed by: Mel Damski
Cinematography by: Michael McMurray
Edited by: Dexter N. Adriano
Digital Compositor
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Compositor: Technicolor Creative Services, Vancouver
Rampage (2009)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Thomas Sabinsky
Compositor: Technicolor Creative Services
Far Cry (2008)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Karen Porter
Digital Compositor
Passchendaele (2008)
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Digital Compositor
Ji jie hao (2007)
Directed by: Xiaogang Feng
Cinematography by: Yue Lü
Edited by: Miaomiao Liu
Digital Compositor - 4 Episodes, 2009-2010
Psych (2006)
Directed by: Mel Damski, Steve Franks, James Roday, Stephen Surjik, John Badham, Matt Shakman, David Crabtree, Jay Chandrasekhar, Andrew Bernstein, Andy Berman, Michael Zinberg, Tim Matheson, John Landis, Brad Turner, Jennifer Lynch, Joanna Kerns, Eric Laneuville, Michael McMurray, Tawnia McKiernan, Reginald Hudlin, Richard Coleman, Michael Engler, John Fortenberry, John T. Kretchmer, Michael Lange, Jeff Melman, James L. Conway, Paul Lazarus, Arlene Sanford, Oz Scott, Lev L. Spiro, Jason Ensler, Steve Miner, Martha Coolidge, Timothy Busfield, Saladin K. Patterson, Fred Mendes, Kirsten Nelson
Donut Clerk
'Millennium' Somehow, Satan Got Behind Me (1998)
Directed by: Darin Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
The Bellman
'The X-Files' Synchrony (1997)
Directed by: Jim Charleston
Cinematography by: Joel Ransom
Edited by: Jim Gross
Donut Clerk
Millennium (1996)
Directed by: Thomas J. Wright, Paul Shapiro, Winrich Kolbe, David Nutter, Ralph Hemecker, Dwight H. Little, Allen Coulter, Jim Charleston, Peter Markle, Darin Morgan, Rod Pridy, Kenneth Fink, Randy Zisk, Cliff Bole, Rodman Flender, Perry Lang, Michael Pattinson, Michael W. Watkins, John Peter Kousakis, Daniel Sackheim, Arthur W. Forney
Another Kid
Born to Run (1993)
Directed by: Albert Magnoli
Cinematography by: Tobias A. Schliessler
Edited by: David Codron
The Bellman
The X-Files (1993)
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
