Executive Producer
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Executive Producer
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Producer
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Executive Producer, Unit Production Manager
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Producer, Unit Production Manager
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Producer
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Executive Producer, Unit Production Manager
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Executive Producer, Unit Production Manager
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Executive Producer
The Dukes of Hazzard (2005)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Executive Producer
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Producer, Unit Production Manager
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Executive Producer
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Executive Producer
Bubble Boy (2001)
Directed by: Blair Hayes
Cinematography by: Jerzy Zielinski
Edited by: Pamela Martin
Producer, Unit Production Manager
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Producer, Unit Production Manager
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Co-producer, Unit Production Manager
Living Out Loud (1998)
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
Unit Production Manager
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Executive Producer, Unit Production Manager
Austin Powers: International Man of Mystery (1997)
Directed by: Jay Roach
Cinematography by: Peter Deming
Co-producer, Unit Production Manager
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Line Producer, Unit Production Manager
Corrina, Corrina (1994)
Directed by: Jessie Nelson
Cinematography by: Bruce Surtees
Edited by: Lee Percy
Associate Producer, Unit Production Manager
Live Wire (1992)
Directed by: Christian Duguay
Cinematography by: Jeffrey Jur
Edited by: Christopher Greenbury
Production Coordinator
Drugstore Cowboy (1989)
Directed by: Gus Van Sant
Cinematography by: Robert D. Yeoman
