Visual Effects Executive Producer: ScanlineVFX
Snowpiercer (2013)
Directed by: Joon-ho Bong
Cinematography by: Kyung-pyo Hong
Executive Producer: Scanline VFX
Don Jon (2013)
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Executive Visual Effects Producer: ScanlineVFX
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Executive Visual Effects Producer: ScanlineVFX
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Executive Producer: ScanlineVFX
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Executive Vfx Producer: ScanlineVFX
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: ScanlineVFX
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Visual Effects Executive Producer: Scanline VFX
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Executive Visual Effects Producers: ScanlineVFX
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Executive Producer: ScanlineVFX
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Executive Producer: ScanlineVFX Munich
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Executive Producer: ScanlineVFX
Wickie auf großer Fahrt (2011)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Ueli Christen
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Executive Producer: ScanlineVFX
The Ghost Writer (2010)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Executive Visual Effects Producer: ScanlineVFX
Männerherzen (2009)
Directed by: Simon Verhoeven
Cinematography by: Jo Heim
Edited by: Stefan Essl
Executive Producer: ScanlineVFX
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Executive Visual Effects Producer: ScanlineVFX
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Producer: Scanline VFX
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Digital Timing Supervisor: CA Scanline Production GmBH
Klimt (2006)
Directed by: Raoul Ruiz
Cinematography by: Ricardo Aronovich
Edited by: Valeria Sarmiento
Visual Effects Production Manager: Scan&record35
Downfall (2004)
Directed by: Oliver Hirschbiegel
Cinematography by: Rainer Klausmann
Edited by: Hans Funck
Lenses: Zeiss Ultra Prime Lenses
Digital Intermediate Production Manager: Scan & Record 35
(T)Raumschiff Surprise - Periode 1 (2004)
Directed by: Michael Herbig
Cinematography by: Stephan Schuh
Edited by: Alexander Dittner
Cameras: ARRIFLEX Camera
Scanning And Recording Supervisor: Scan & Record 35 GmbH
Luther (2003)
Directed by: Eric Till
Cinematography by: Robert Fraisse
Edited by: Clive Barrett
Cameras: ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses
Scanning And Recording Supervisor: Scan&record35
Nirgendwo in Afrika (2001)
Directed by: Caroline Link
Cinematography by: Gernot Roll
Edited by: Patricia Rommel
Cameras: ARRIFLEX 35mm Cameras
Digital Film Recordist
Straight Shooter (1999)
Directed by: Thomas Bohn
Cinematography by: Peter von Haller
Edited by: Norbert Herzner
