Supervising And Lead Digital Intermediate Colorist: Fotokem Creative Services
The Creator (2023)
Directed by: Gareth Edwards
Cameras: Sony ILME-FX3 Camera
Supervising And Lead Digital Intermediate Colourist: Fotokem Creative Services
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Lead Digital Colorist / Supervising Digital Colourist
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Colorist, Lead Digital Colourist
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Lead Digital Colourist / Supervising Digital Colourist
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Lead Digital Colourist / Supervising Digital Colourist
The Book of Life (2014)
Directed by: Jorge R. Gutiérrez
Edited by: Ahren Shaw
Colorist
'Jane the Virgin' Chapter One (2014)
Directed by: Brad Silberling
Cinematography by: Xavier Grobet
Edited by: Shannon Mitchell
Colorist - 1 Episode, 2014, Digital Colourist
Jane the Virgin (2014)
Directed by: Gina Lamar, Melanie Mayron, Brad Silberling, Zetna Fuentes, Uta Briesewitz, Edward Ornelas, Anna Mastro, Jann Turner, Stuart Gillard, Joanna Kerns, Micah Schraft, Gina Rodriguez, Debbie Allen, Howard Deutch, Robert Luketic, Matthew Diamond, Fernando Sariñana, Eric Lea, Norman Buckley, Janice Cooke, Elodie Keene, Georgina Garcia Riedel, Eva Longoria, Jason Reilly, Justin Baldoni, Neema Barnette, Leo Zisman
Edited by: Eric Lea, Bruce Green, Gregg Featherman, Janet Weinberg, Raúl Dávalos, Brad Katz, Shannon Mitchell, Susan Kobata
Cameras: ARRI ALEXA Camera
Digital Colourist - 1 Episode, 2013
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Digital Colourist
Epic (2013)
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Digital Colourist
'Sleepy Hollow' Pilot (2013)
Directed by: Len Wiseman
Cinematography by: Kramer Morgenthau
Edited by: John Refoua
Digital Intermediate Colorist: Technicolor Hollywood
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Colorist: Laser Pacific, Digital Colourist
Act of Valor (2012)
Cinematography by: Shane Hurlbut
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Supervising Digital Colourist
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Digital Intermediate Colorist, Supervising Digital Colorist
Red State (2011)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Cameras: Canon EOS-7D Camera, Red One MX Camera
Supervising Digital Colourist
Alvin and the Chipmunks: Chipwrecked (2011)
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Digital Intermediate Colorist, Supervising Digital Colourist
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Supervising Digital Colourist
Hop (2011)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Lead Colorist, Supervising Digital Colorist
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Supervising Digital Colourist
The Darkest Hour (2011)
Directed by: Chris Gorak
Cinematography by: Scott Kevan
Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera
Digital Colourist
You and I (2011)
Directed by: Roland Joffé
Cinematography by: Philip Robertson
Edited by: Richard Nord
Supervising Digital Colourist
Furry Vengeance (2010)
Directed by: Roger Kumble
Cinematography by: Peter Lyons Collister
Edited by: Lawrence Jordan
Supervising Digital Colourist
Cop Out (2010)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Lead Digital Colourist / Supervising Digital Colourist
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Digital Colourist
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Digital Colourist
Spread (2009)
Directed by: David Mackenzie
Cinematography by: Steven Poster
Edited by: Nicholas Erasmus
Supervising Digital Colourist
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Supervising Digital Colourist
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Digital Colourist
The New Daughter (2009)
Directed by: Luiso Berdejo
Cinematography by: Checco Varese
Digital Intermediate Color Timer: LaserPacific
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Digital Intermediate Color Timer: LaserPacific Media Corporation
Pride and Glory (2008)
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Colorist: LaserPacific
Swing Vote (2008)
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Digital Colourist - Segment "Alejandro González Iñarritu"
Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence (2007)
Directed by: Theodoros Angelopoulos, Olivier Assayas, Bille August, Jane Campion, Youssef Chahine, Kaige Chen, Michael Cimino, Ethan Coen, Joel Coen, David Cronenberg, Jean-Pierre Dardenne, Luc Dardenne, Manoel de Oliveira, Raymond Depardon, Atom Egoyan, Amos Gitai, Hsiao-Hsien Hou, Alejandro G. Iñárritu, Aki Kaurismäki, Abbas Kiarostami, Takeshi Kitano, Andrey Konchalovskiy, Claude Lelouch, Ken Loach, David Lynch, Nanni Moretti, Roman Polanski, Raoul Ruiz, Walter Salles, Elia Suleiman, Ming-liang Tsai, Gus Van Sant, Lars von Trier, Wim Wenders, Kar-Wai Wong, Yimou Zhang
Cinematography by: Marc-André Batigne, Jacques Bouquin, Inti Briones, Dirk Brüel, Nicholas de Pencier, Eric Alan Edwards, Greig Fraser, Francis Grumman, Pung-Leung Kwan, Steven Lubensky, Emmanuel Lubezki, Alain Marcoen, Ramses Marzouk, Francisco Oliveira, Alessandro Pesci, Mauro Pinheiro Jr., Andreas Sinanos, Masha Solovyova, Shinzi Suzuki, Alberto Venzago, Xiaoding Zhao, Xiaoshi Zhao
Digital Intermediate Color Timer: LaserPacific
The Savages (2007)
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Digital Intermediate Colorist: LaserPacific
Balls of Fury (2007)
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Digital Colourist
Captivity (2007)
Directed by: Roland Joffé
Cinematography by: Daniel Pearl
Edited by: Richard Nord
Digital Intermediate Colorist: LaserPacific
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Digital Film Colorist, Digital Intermediate Colourist
Crank (2006)
Cinematography by: Adam Biddle
Edited by: Brian Berdan
Digital Color Timer: LaserPacific
Southland Tales (2006)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Edited by: Sam Bauer
Lead Digital Colourist / Supervising Digital Colourist
Boogeyman (2005)
Directed by: Stephen Kay
Cinematography by: Bobby Bukowski
Edited by: John Axelrad
Lead Digital Colourist / Supervising Digital Colourist
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Lead Digital Colourist
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton
Lead Digital Colourist: The PostHouse AG
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
