Alejandro Miranda Palombo

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John Wick: Chapter 4 | ShotOnWhat?

Visual Effects Artist: Rodeo FX

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

"Stranger Things" Chapter Seven: The Massacre at Hawkins Lab | ShotOnWhat?

Digital Artist: Rodeo FX

'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Nat Fuller, Dean Zimmerman

Overlord | ShotOnWhat?

Compositor: Rodeo FX

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Fast 8 | ShotOnWhat?

Digital Compositor: Rodeo FX

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

"Game of Thrones" Episode #7.2 | ShotOnWhat?

Visual Effects: Rodeo FX

'Game of Thrones' Stormborn (2017)

Television Episode

Directed by: Mark Mylod

Cinematography by: P.J. Dillon

Edited by: Tim Porter

"Game of Thrones" Episode #7.7 | ShotOnWhat?

Visual Effects: Rodeo FX

'Game of Thrones' The Dragon and the Wolf (2017)

Television Episode

Directed by: Jeremy Podeswa

Cinematography by: Gregory Middleton

Edited by: Crispin Green

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Digital Compositor: Rodeo FX

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Stranger Things | ShotOnWhat?

Digital Artist: Rodeo FX - 1 Episode, 2022

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Compositor: Rodeo FX

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Maleficent | ShotOnWhat?

Digital Compositor

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Godzilla | ShotOnWhat?

Digital Compositor

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Digital Compositor

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

RoboCop | ShotOnWhat?

Digital Compositor

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

2 Guns | ShotOnWhat?

Digital Compositor

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

This Is the End | ShotOnWhat?

Digital Compositor: Modus FX

This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Fetih 1453 | ShotOnWhat?

Compositor

Fetih 1453 (2012)

Directed by: Faruk Aksoy

Cinematography by: Hasan Gergin, Mirsad Herovic

Edited by: Erkan Ozekan

Cameras: ARRI Cameras, Phantom HD Gold Camera, Red One Camera

Red Tails | ShotOnWhat?

Visual Effects: Ollin VFX

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Rock of Ages | ShotOnWhat?

Digital Compositor

Rock of Ages (2012)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Emma E. Hickox

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Ted | ShotOnWhat?

Digital Compositor

Ted (2012)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Digital Compositor

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Game of Thrones | ShotOnWhat?

Visual Effects: Rodeo FX - 2 Episodes, 2017

Game of Thrones (2011)

Television Series

Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman

Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson

Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles

Cameras: ARRI ALEXA Camera, ARRI ALEXA Mini Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Editing System: Avid Editing System

The Girl with the Dragon Tattoo | ShotOnWhat?

Digital Compositor: Ollin Studio

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

The Social Network | ShotOnWhat?

Digital Compositor

The Social Network (2010)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red One MX Camera

Editing System: Adobe Premiere Editing System

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