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Avengers: Endgame | ShotOnWhat?

Production Supervisor: 2nd Unit, Production Supervisor: Second Unit

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Production Supervisor: 2nd Unit

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Dunkirk | ShotOnWhat?

Production Supervisor

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ghostbusters | ShotOnWhat?

Production Supervisor: Second Unit

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Jason Bourne | ShotOnWhat?

Production Supervisor: Las Vegas

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Production Supervisor: New Mexico Unit

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Guardians of the Galaxy | ShotOnWhat?

Production Supervisor: Additional Photography

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Dawn of the Planet of the Apes | ShotOnWhat?

Production Supervisor: Additional Photography

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Captain America: The First Avenger | ShotOnWhat?

Production Supervisor: LA Unit

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Production Coordinator

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Unstoppable | ShotOnWhat?

Production Coordinator: Additional Photography

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Semi-Pro | ShotOnWhat?

Production Coordinator

Semi-Pro (2008)

Directed by: Kent Alterman

Cinematography by: Shane Hurlbut

Edited by: Debra Neil-Fisher, Peter Teschner

Norbit | ShotOnWhat?

Production Coordinator, Production Supervisor: 2nd Unit

Norbit (2007)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: Panavision Cameras

Lenses: Panavision Lenses

You, Me and Dupree | ShotOnWhat?

Production Coordinator

You, Me and Dupree (2006)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Fun with Dick and Jane | ShotOnWhat?

Production Coordinator

Fun with Dick and Jane (2005)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Anchorman: The Legend of Ron Burgundy | ShotOnWhat?

Production Coordinator

Anchorman: The Legend of Ron Burgundy (2004)

Directed by: Adam McKay

Cinematography by: Thomas E. Ackerman

Edited by: Brent White

The Last Samurai | ShotOnWhat?

Production Coordinator

The Last Samurai (2003)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

View from the Top | ShotOnWhat?

Production Coordinator: Additional Photography

View from the Top (2003)

Directed by: Bruno Barreto

Cinematography by: Affonso Beato

Edited by: Christopher Greenbury, Ray Hubley, Charles Ireland

Sweet Home Alabama | ShotOnWhat?

Production Supervisor: Additional Photography

Sweet Home Alabama (2002)

Directed by: Andy Tennant

Cinematography by: Andrew Dunn

Edited by: Troy Takaki, Tracey Wadmore-Smith

Domestic Disturbance | ShotOnWhat?

Production Coordinator

Domestic Disturbance (2001)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

Memento | ShotOnWhat?

Unit Production Manager

Memento (2000)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Dody Dorn

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Most Wanted | ShotOnWhat?

Assistant Production Coordinator

Most Wanted (1997)

Directed by: David Hogan

Cinematography by: Marc Reshovsky

Edited by: Michael J. Duthie, Mark Helfrich

Cameras: Panavision Cameras

Speed 2: Cruise Control | ShotOnWhat?

Assistant Production Coordinator

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Up Close & Personal | ShotOnWhat?

Assistant Production Coordinator

Up Close & Personal (1996)

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Debra Neil-Fisher

The Stranger | ShotOnWhat?

Production Coordinator

The Stranger (1995)

Direct to Video

Directed by: Fritz Kiersch

Cinematography by: Christopher Walling

Edited by: Tony Mizgalski

Honey I Blew Up the Kid | ShotOnWhat?

Production Assistant

Honey, I Blew Up the Kid (1992)

Directed by: Randal Kleiser

Cinematography by: John Hora

Edited by: Harry Hitner, Michael A. Stevenson

Cameras: Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses: Canon K35 Prime Lenses

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