Jared Pendergrass

21 Titles

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Logan | ShotOnWhat?

Additional Property

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

"Ravenswood" Along Came a Spider | ShotOnWhat?

Assistant Property Master

'Ravenswood' Along Came a Spider (2014)

Television Episode

Directed by: Joshua Butler

Cinematography by: Peter B. Kowalski

Edited by: Lois Blumenthal

The Loft | ShotOnWhat?

Additional Property / Set Dresser

The Loft (2014)

Directed by: Erik Van Looy

Cinematography by: Nicolas Karakatsanis

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Master Prime Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Assistant Property

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Best of Me | ShotOnWhat?

Assistant Property Master

The Best of Me (2014)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Matt Chesse

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses

12 Years a Slave | ShotOnWhat?

Additional Property

12 Years a Slave (2013)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Olympus Has Fallen | ShotOnWhat?

Set Dresser

Olympus Has Fallen (2013)

Directed by: Antoine Fuqua

Cinematography by: Conrad W. Hall

Edited by: John Refoua

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Now You See Me | ShotOnWhat?

Assistant Property

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Oblivion | ShotOnWhat?

Assistant Property

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

The Iceman | ShotOnWhat?

Set Dresser

The Iceman (2012)

Directed by: Ariel Vromen

Cinematography by: Bobby Bukowski

Edited by: Danny Rafic

Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera

Lenses: Panavision Lenses, Panavision Ultra Speed MKII Lenses

The Courier | ShotOnWhat?

Set Dresser

The Courier (2012)

Directed by: Hany Abu-Assad

Cinematography by: Antonio Calvache

Edited by: William Steinkamp

Looper | ShotOnWhat?

Set Dresser

Looper (2012)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Trespass | ShotOnWhat?

Art Department Coordinator

Trespass (2011)

Directed by: Joel Schumacher

Cinematography by: Andrzej Bartkowiak

Edited by: Bill Pankow

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Drive Angry | ShotOnWhat?

Art Department Coordinator

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

The Mechanic | ShotOnWhat?

Second Assistant Property

The Mechanic (2011)

Directed by: Simon West

Cinematography by: Eric Schmidt

Edited by: T.G. Herrington, Todd E. Miller

Straw Dogs | ShotOnWhat?

Second Assistant Props

Straw Dogs (2011)

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Tekken | ShotOnWhat?

Art Department Coordinator / Set Decorating Coordinator

Tekken (2010)

Directed by: Dwight H. Little

Cinematography by: Brian J. Reynolds

Edited by: David Checel

Leaves of Grass | ShotOnWhat?

Art Department Coordinator

Leaves of Grass (2009)

Directed by: Tim Blake Nelson

Cinematography by: Roberto Schaefer

Edited by: Michelle Botticelli

Cameras: Red One Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Lenses

Cleaner | ShotOnWhat?

Wardrobe Assistant

Cleaner (2007)

Directed by: Renny Harlin

Cinematography by: Scott Kevan

Edited by: Brian Berdan

Ray | ShotOnWhat?

Production Assistant , Props

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Runaway Jury | ShotOnWhat?

Production Assistant

Runaway Jury (2003)

Directed by: Gary Fleder

Cinematography by: Robert Elswit

Edited by: William Steinkamp

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