Leslie E. Rollins

29 Titles

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The Equalizer | ShotOnWhat?

Set Decorator

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Winter's Tale | ShotOnWhat?

Set Decorator

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Bourne Legacy | ShotOnWhat?

Set Decorator

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

New Year's Eve | ShotOnWhat?

Set Decorator

New Year's Eve (2011)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Michael Tronick

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Something Borrowed | ShotOnWhat?

Set Decorator

Something Borrowed (2011)

Directed by: Luke Greenfield

Cinematography by: Charles Minsky

Edited by: John Axelrad

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Salt | ShotOnWhat?

Set Decorator

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

G-Force | ShotOnWhat?

Set Decorator

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Get Smart | ShotOnWhat?

Set Decorator

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

No Reservations | ShotOnWhat?

Set Decorator

No Reservations (2007)

Directed by: Scott Hicks

Cinematography by: Stuart Dryburgh

Edited by: Pip Karmel

American Gangster | ShotOnWhat?

Set Decorator

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Departed | ShotOnWhat?

Set Decorator

The Departed (2006)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Lightworks Editing System

The Good Shepherd | ShotOnWhat?

Set Decorator

The Good Shepherd (2006)

Directed by: Robert De Niro

Cinematography by: Robert Richardson

Edited by: Tariq Anwar

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Lightworks Editing System

13 Going on 30 | ShotOnWhat?

Set Decorator

13 Going on 30 (2004)

Directed by: Gary Winick

Cinematography by: Don Burgess

Edited by: Susan Littenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Manchurian Candidate | ShotOnWhat?

Set Decorator

The Manchurian Candidate (2004)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Carol Littleton, Craig McKay

Two Weeks Notice | ShotOnWhat?

Supervising Set Decorator

Two Weeks Notice (2002)

Directed by: Marc Lawrence

Cinematography by: László Kovács

Edited by: Susan E. Morse

Hearts in Atlantis | ShotOnWhat?

Supervising Set Decorator

Hearts in Atlantis (2001)

Directed by: Scott Hicks

Cinematography by: Piotr Sobocinski

Edited by: Pip Karmel

A Beautiful Mind | ShotOnWhat?

Set Decorator

A Beautiful Mind (2001)

Directed by: Ron Howard

Cinematography by: Roger Deakins

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Miss Congeniality | ShotOnWhat?

Supervising Set Decorator

Miss Congeniality (2000)

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

The Thomas Crown Affair | ShotOnWhat?

Set Decorator

The Thomas Crown Affair (1999)

Directed by: John McTiernan

Cinematography by: Tom Priestley Jr.

Edited by: John Wright

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Analyze This | ShotOnWhat?

Set Decorator

Analyze This (1999)

Directed by: Harold Ramis

Cinematography by: Stuart Dryburgh

Edited by: Craig Herring, Christopher Tellefsen

A Price Above Rubies | ShotOnWhat?

Set Decorator

A Price Above Rubies (1998)

Directed by: Boaz Yakin

Cinematography by: Adam Holender

Edited by: Arthur Coburn

Get Shorty | ShotOnWhat?

Set Decorator

Get Shorty (1995)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Ted Woerner

Guarding Tess | ShotOnWhat?

Set Decorator

Guarding Tess (1994)

Directed by: Hugh Wilson

Cinematography by: Brian J. Reynolds

Edited by: Sidney Levin

In Search of Dr. Seuss | ShotOnWhat?

Set Decorator

In Search of Dr. Seuss (1994)

Television Movie

Directed by: Vincent Paterson

Cinematography by: Michael Lonzo

Edited by: Michael Kelly

Miracle on 34th Street | ShotOnWhat?

Set Decorator

Miracle on 34th Street (1994)

Directed by: Les Mayfield

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Blue Sky | ShotOnWhat?

Set Decorator

Blue Sky (1994)

Directed by: Tony Richardson

Cinematography by: Steve Yaconelli

Edited by: Robert K. Lambert

Cameras: ARRI Cameras

House of Cards | ShotOnWhat?

Set Decorator

House of Cards (1993)

Directed by: Michael Lessac

Cinematography by: Victor Hammer

Edited by: Walter Murch

For Love or Money | ShotOnWhat?

Set Decorator

For Love or Money (1993)

Directed by: Barry Sonnenfeld

Cinematography by: Oliver Wood

Edited by: Jim Miller

Madhouse | ShotOnWhat?

Set Decorator

Madhouse (1990)

Directed by: Tom Ropelewski

Cinematography by: Dennis C. Lewiston

Edited by: Michael Jablow

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