Foley Editor
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Re-recording Mixer
Molly's Theory of Relativity (2013)
Directed by: Jeff Lipsky
Cinematography by: Jendra Jarnagin
Cameras: Red One MX Camera
Editing System: Final Cut Pro Editing System
Foley Editor
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Foley Editor
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Foley Editor
Being Flynn (2012)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Foley Editor
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Foley Editor
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Foley Editor
The We and the I (2012)
Directed by: Michel Gondry
Cinematography by: Alex Disenhof
Edited by: Jeff Buchanan
Foley Editor
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Foley Editor
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Foley Editor
Win Win (2011)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Foley Editor
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Supervising Foley Editor
It's Kind of a Funny Story (2010)
Cinematography by: Andrij Parekh
Edited by: Anna Boden
Foley Editor
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Foley Editor
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Sound Effects Editor
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Foley Editor
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Supervising Foley Editor
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Foley Editor
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Foley Editor
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Sound Editor
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Foley Editor
The Brave One (2007)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Foley Editor
'The Wire' Soft Eyes (2006)
Directed by: Christine Moore
Cinematography by: Russell Lee Fine
Edited by: Meg Reticker
Foley Editor
'The Wire' Final Grades (2006)
Directed by: Ernest R. Dickerson
Cinematography by: Russell Lee Fine
Edited by: John Chimples
Foley Editor
'The Wire' A New Day (2006)
Directed by: Brad Anderson
Cinematography by: Dave Insley
Edited by: Alex Hall
Foley Editor
'The Wire' Misgivings (2006)
Directed by: Ernest R. Dickerson
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Foley Editor
'The Wire' Boys of Summer (2006)
Directed by: Joe Chappelle
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Foley Editor
'The Wire' Know Your Place (2006)
Directed by: Alex Zakrzewski
Cinematography by: Russell Lee Fine
Edited by: Alex Hall
Foley Editor
'The Wire' Corner Boys (2006)
Directed by: Agnieszka Holland
Cinematography by: Russell Lee Fine
Edited by: John Chimples
Foley Editor
'The Wire' Home Rooms (2006)
Directed by: Seith Mann
Cinematography by: Russell Lee Fine
Edited by: Alex Hall
Foley Editor
'The Wire' Unto Others (2006)
Directed by: Anthony Hemingway
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Foley Editor
'The Wire' Refugees (2006)
Directed by: Jim McKay
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Foley Editor
'The Wire' Alliances (2006)
Directed by: David Platt
Cinematography by: Russell Lee Fine
Edited by: Alex Hall
Foley Editor
'The Wire' Margin of Error (2006)
Directed by: Daniel Attias
Cinematography by: Russell Lee Fine
Edited by: Meg Reticker
Foley Editor
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Foley Editor
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Foley Editor
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Foley Editor
North Country (2005)
Directed by: Niki Caro
Cinematography by: Chris Menges
Edited by: David Coulson
Foley Editor
'The Wire' Middle Ground (2004)
Directed by: Joe Chappelle
Cinematography by: Eagle Egilsson
Edited by: Deborah Moran
Foley Editor
'The Wire' Time After Time (2004)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Editor
'The Wire' All Due Respect (2004)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Editor
'The Wire' Dead Soldiers (2004)
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Michael Berenbaum
Foley Editor
'The Wire' Straight and True (2004)
Directed by: Daniel Attias
Cinematography by: Dave Insley
Edited by: Kate Sanford
Foley Editor
'The Wire' Homecoming (2004)
Directed by: Leslie Libman
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Foley Editor
'The Wire' Back Burners (2004)
Directed by: Timothy Van Patten
Cinematography by: Eagle Egilsson
Edited by: Michael Berenbaum
Foley Editor
'The Wire' Moral Midgetry (2004)
Directed by: Agnieszka Holland
Cinematography by: Eagle Egilsson
Edited by: Kate Sanford
Foley Editor
'The Wire' Slapstick (2004)
Directed by: Alex Zakrzewski
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Foley Editor
'The Wire' Reformation (2004)
Directed by: Christine Moore
Cinematography by: Eagle Egilsson
Edited by: Michael Berenbaum
Foley Editor
'The Wire' Mission Accomplished (2004)
Directed by: Ernest R. Dickerson
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Foley Recordist
She Hate Me (2004)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Cameras: Aaton A-Minima Camera, ARRI Cameras
Foley Editor
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Foley Engineer
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Foley Editor
'The Wire' Port in a Storm (2003)
Directed by: Robert F. Colesberry
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Adr Recordist , Music Recordist
American Splendor (2003)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Editing System: Avid Editing System
Supervising Foley Editor
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Foley Editor
'The Wire' Bad Dreams (2003)
Directed by: Ernest R. Dickerson
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Editor
'The Wire' Stray Rounds (2003)
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Foley Editor
'The Wire' Storm Warnings (2003)
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Editor
'The Wire' Ebb Tide (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Editor
'The Wire' Collateral Damage (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Editor
'The Wire' Hot Shots (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Editor
'The Wire' Hard Cases (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Editor
'The Wire' Undertow (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Foley Editor
'The Wire' All Prologue (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Foley Editor
'The Wire' Backwash (2003)
Directed by: Thomas J. Wright
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Editor
'The Wire' Duck and Cover (2003)
Directed by: Daniel Attias
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Editor / Foley Recordist / Supervising Foley Editor - 50 Episodes, 2002-2006
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Foley Editor, Foley Recordist
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Foley Recordist / Supervising Foley Editor
'The Wire' The Target (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Foley Editor
The Truth About Charlie (2002)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Foley Recordist / Supervising Foley Editor
'The Wire' The Detail (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Foley Editor
'The Wire' The Buys (2002)
Directed by: Peter Medak
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Editor, Foley Recordist
'The Wire' Old Cases (2002)
Directed by: Clement Virgo
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Editor, Foley Recordist
'The Wire' The Pager (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Foley Editor, Foley Recordist
'The Wire' The Wire (2002)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Editor, Foley Recordist
'The Wire' One Arrest (2002)
Directed by: Joe Chappelle
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Editor, Foley Recordist
'The Wire' Lessons (2002)
Directed by: Gloria Muzio
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Foley Recordist / Supervising Foley Editor
'The Wire' Game Day (2002)
Directed by: Milcho Manchevski
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Recordist / Supervising Foley Editor
'The Wire' The Cost (2002)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Foley Recordist / Supervising Foley Editor
'The Wire' The Hunt (2002)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Foley Recordist / Supervising Foley Editor
'The Wire' Cleaning Up (2002)
Directed by: Clement Virgo
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Foley Editor, Foley Recordist
'The Wire' Sentencing (2002)
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Adr Mixer
Drowning Mona (2000)
Directed by: Nick Gomez
Cinematography by: Bruce Douglas Johnson
Edited by: Richard Pearson
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
