Tim Ryan

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Battle of the Sexes | ShotOnWhat?

Adr Recordist

Battle of the Sexes (2017)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Linus Sandgren

Edited by: Pamela Martin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Adr Recordist

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Gods of Egypt | ShotOnWhat?

Supervising Music Editor

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Lego Movie | ShotOnWhat?

Music Editor

The Lego Movie (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Pablo Plaisted, Barry Peterson

Edited by: David Burrows, Chris McKay

Cameras: ARRI ALEXA Series Cameras

Editing System: Final Cut Pro Editing System

The Great Gatsby | ShotOnWhat?

Supervising Music Editor

The Great Gatsby (2013)

Directed by: Baz Luhrmann

Cinematography by: Simon Duggan

Edited by: Jason Ballantine, Jonathan Redmond, Matt Villa

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Killer Elite | ShotOnWhat?

Music Editor

Killer Elite (2011)

Directed by: Gary McKendry

Cinematography by: Simon Duggan

Edited by: John Gilbert

A Few Best Men | ShotOnWhat?

Score Mixer

A Few Best Men (2011)

Directed by: Stephan Elliott

Cinematography by: Stephen F. Windon

Edited by: Sue Blainey

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Don't Be Afraid of the Dark | ShotOnWhat?

Supervising Music Editor

Don't Be Afraid of the Dark (2010)

Directed by: Troy Nixey

Cinematography by: Oliver Stapleton

Edited by: Jill Bilcock

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Tomorrow, When the War Began | ShotOnWhat?

Supervising Music Editor

Tomorrow, When the War Began (2010)

Directed by: Stuart Beattie

Cinematography by: Ben Nott

Edited by: Marcus D'Arcy

Knowing | ShotOnWhat?

Supervising Music Editor

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Jumper | ShotOnWhat?

Music Scoring Engineer / Score Recordist: Orchestra

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Red Cliff | ShotOnWhat?

Music Editor

Red Cliff (2008)

Directed by: John Woo

Cinematography by: Yue Lü, Li Zhang

Edited by: Robert A. Ferretti, Angie Lam, Hongyu Yang

Australia | ShotOnWhat?

Music Editor

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Disgrace | ShotOnWhat?

Music Editor

Disgrace (2008)

Directed by: Steve Jacobs

Cinematography by: Steve Arnold

Edited by: Alexandre de Franceschi

Cameras: Panavision Panaflex Millennium XL Camera

No Reservations | ShotOnWhat?

Music Editor: Trackdown

No Reservations (2007)

Directed by: Scott Hicks

Cinematography by: Stuart Dryburgh

Edited by: Pip Karmel

Aquamarine | ShotOnWhat?

Music Editor / Score Mixer / Score Recordist

Aquamarine (2006)

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: Brian J. Breheny

Edited by: Jane Moran

Cameras: Panavision Cameras

Happy Feet | ShotOnWhat?

Music Editor

Happy Feet (2006)

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

Danny Deckchair | ShotOnWhat?

Music Editor

Danny Deckchair (2003)

Directed by: Jeff Balsmeyer

Cinematography by: Martin McGrath

Edited by: Suresh Ayyar

Peter Pan | ShotOnWhat?

Music Editor

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Crocodile Hunter: Collision Course | ShotOnWhat?

Supervising Music Editor

The Crocodile Hunter: Collision Course (2002)

Directed by: John Stainton

Cinematography by: David Burr

Edited by: Suresh Ayyar, Bob Blasdall

Garage Days | ShotOnWhat?

Music Editor

Garage Days (2002)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Ying xiong | ShotOnWhat?

Music Editor

Ying xiong (2002)

Directed by: Yimou Zhang

Cinematography by: Christopher Doyle

Edited by: Angie Lam, Vincent Lee, Ru Zhai

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses: Angenieux Lenses, Cooke Lenses

Moulin Rouge! | ShotOnWhat?

Music Editor

Moulin Rouge! (2001)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

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