Sam Zeines

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Ad Astra | ShotOnWhat?

Additional Music Editor

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Lenses, Zeiss Master Prime Lenses

Gemini Man | ShotOnWhat?

Music Editor

Gemini Man (2019)

Directed by: Ang Lee

Cinematography by: Dion Beebe

Edited by: Tim Squyres

Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera

Lenses: Leitz Summilux-C Series Lenses

Suicide Squad | ShotOnWhat?

Music Editor

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Music Editor

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

That Awkward Moment | ShotOnWhat?

Music Editor

That Awkward Moment (2014)

Directed by: Tom Gormican

Cinematography by: Brandon Trost

Edited by: Shawn Paper, Greg Tillman

Cameras: ARRI ALEXA Plus Camera

Divergent | ShotOnWhat?

Music Editor

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Transformers: Age of Extinction | ShotOnWhat?

Music Editor

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Lone Survivor | ShotOnWhat?

Music Editor

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Oblivion | ShotOnWhat?

Additional Music Editor

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Music Editor

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Madea's Big Happy Family | ShotOnWhat?

Music Editor

Madea's Big Happy Family (2011)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Contagion | ShotOnWhat?

Music Editor

Contagion (2011)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Why Did I Get Married Too? | ShotOnWhat?

Music Editor

Why Did I Get Married Too? (2010)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

For Colored Girls | ShotOnWhat?

Music Editor

For Colored Girls (2010)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Confessions of a Shopaholic | ShotOnWhat?

Assistant Music Editor

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Saint John of Las Vegas | ShotOnWhat?

Music Editor

Saint John of Las Vegas (2009)

Directed by: Hue Rhodes

Cinematography by: Giles Nuttgens

Edited by: Annette Davey

Middle Men | ShotOnWhat?

Music Editor: Temp

Middle Men (2009)

Directed by: George Gallo

Cinematography by: Lukas Ettlin

Edited by: Malcolm Campbell

The Wackness | ShotOnWhat?

Music Editor

The Wackness (2008)

Directed by: Jonathan Levine

Cinematography by: Petra Korner

Edited by: Josh Noyes

Smart People | ShotOnWhat?

Assistant Music Editor

Smart People (2008)

Directed by: Noam Murro

Cinematography by: Toby Irwin

Edited by: Robert Frazen, Yana Gorskaya

Meet the Browns | ShotOnWhat?

Music Editor

Meet the Browns (2008)

Directed by: Tyler Perry

Cinematography by: Sandi Sissel

Edited by: Maysie Hoy

Zodiac | ShotOnWhat?

Assistant Music Editor

Zodiac (2007)

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: Angus Wall

Cameras: Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Lars and the Real Girl | ShotOnWhat?

Assistant Music Editor

Lars and the Real Girl (2007)

Directed by: Craig Gillespie

Cinematography by: Adam Kimmel

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Good Luck Chuck | ShotOnWhat?

Music Editor

Good Luck Chuck (2007)

Directed by: Mark Helfrich

Cinematography by: Anthony B. Richmond

Edited by: Julia Wong

Bridge to Terabithia | ShotOnWhat?

Assistant Music Editor

Bridge to Terabithia (2007)

Directed by: Gabor Csupo

Cinematography by: Michael Chapman

Edited by: John Gilbert

Cameras: Panavision Cameras

10th & Wolf | ShotOnWhat?

Music Coordinator

10th & Wolf (2006)

Directed by: Bobby Moresco

Cinematography by: Alex Nepomniaschy

Edited by: Harvey Rosenstock

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Akeelah and the Bee | ShotOnWhat?

Music Consultant: Clockwirk Music

Akeelah and the Bee (2006)

Directed by: Doug Atchison

Cinematography by: M. David Mullen

Edited by: Glenn Farr

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Slant Focus Lenses

Believe in Me | ShotOnWhat?

Assistant Music Editor

Believe in Me (2006)

Directed by: Robert Collector

Cinematography by: James L. Carter

Edited by: Anthony Redman

Let's Go to Prison | ShotOnWhat?

Music Editor

Let's Go to Prison (2006)

Directed by: Bob Odenkirk

Cinematography by: Ramsey Nickell

Edited by: Eric L. Beason, Dennis Thorlaksen

Constantine | ShotOnWhat?

Scoring Editor

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Friday Night Lights | ShotOnWhat?

Music Programing: Score

Friday Night Lights (2004)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

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