Jenny Eagan

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Glass Onion | ShotOnWhat?

Costume Designer

Glass Onion (2022)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Zeiss Supreme Prime Series Lenses

Knives Out | ShotOnWhat?

Costume Designer

Knives Out (2019)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

American Animals | ShotOnWhat?

Costume Designer

American Animals (2018)

Directed by: Bart Layton

Cinematography by: Ole Bratt Birkeland

Edited by: Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Sony α7S II Camera

Lenses: Cooke Anamorphic Lenses, Leica R Series Lenses, Zeiss Super Speed Lenses

Maniac | ShotOnWhat?

Costume Designer - 10 Episodes, 2018

Maniac (2018)

Directed by: Cary Joji Fukunaga

Cinematography by: Darren Lew

Edited by: Pete Beaudreau, Tim Streeto

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Suburbicon | ShotOnWhat?

Costume Designer

Suburbicon (2017)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

"True Detective" The Secret Fate of All Life | ShotOnWhat?

Costume Designer

'True Detective' The Secret Fate of All Life (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

True Detective | ShotOnWhat?

Costume Designer - 8 Episodes, 2014

True Detective (2014)

Television Series

Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik

Cinematography by: Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister

Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

"True Detective" Form and Void | ShotOnWhat?

Costume Designer

'True Detective' Form and Void (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves, Alex Hall, Meg Reticker

"True Detective" After You've Gone | ShotOnWhat?

Costume Designer

'True Detective' After You've Gone (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall, Meg Reticker

"True Detective" Haunted Houses | ShotOnWhat?

Costume Designer

'True Detective' Haunted Houses (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves

"True Detective" The Locked Room | ShotOnWhat?

Costume Designer

'True Detective' The Locked Room (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves

"True Detective" Who Goes There | ShotOnWhat?

Costume Designer

'True Detective' Who Goes There (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves

"True Detective" Seeing Things | ShotOnWhat?

Costume Designer

'True Detective' Seeing Things (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

"True Detective" The Long Bright Dark | ShotOnWhat?

Costume Designer

'True Detective' The Long Bright Dark (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

Now You See Me | ShotOnWhat?

Costume Designer

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Contraband | ShotOnWhat?

Costume Designer

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

Cowboys & Aliens | ShotOnWhat?

Assistant Costume Designer

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Iron Man 2 | ShotOnWhat?

Assistant Costume Designer

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

True Grit | ShotOnWhat?

Assistant Costume Designer

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

A Serious Man | ShotOnWhat?

Assistant Costume Designer

A Serious Man (2009)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

The Soloist | ShotOnWhat?

Costumer

The Soloist (2009)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Associate Costume Designer

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

No Country for Old Men | ShotOnWhat?

Assistant Costume Designer

No Country for Old Men (2007)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Lions for Lambs | ShotOnWhat?

Assistant Costume Designer

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Running with Scissors | ShotOnWhat?

Costumer

Running with Scissors (2006)

Directed by: Ryan Murphy

Cinematography by: Christopher Baffa

Edited by: Byron Smith

Poseidon | ShotOnWhat?

Costumer

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Smokin' Aces | ShotOnWhat?

Assistant Costume Designer

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

Bewitched | ShotOnWhat?

Assistant Costume Designer

Bewitched (2005)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Tia Nolan

The Terminal | ShotOnWhat?

Key Costumer

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

The Ladykillers | ShotOnWhat?

Assistant To Costume Designer , Costumer

The Ladykillers (2004)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Editing System: Final Cut Pro Editing System

Paycheck | ShotOnWhat?

Costumer

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

View from the Top | ShotOnWhat?

Assistant Costumer

View from the Top (2003)

Directed by: Bruno Barreto

Cinematography by: Affonso Beato

Edited by: Christopher Greenbury, Ray Hubley, Charles Ireland

Intolerable Cruelty | ShotOnWhat?

Costumer

Intolerable Cruelty (2003)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

Catch Me If You Can | ShotOnWhat?

Costumer

Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Moonlight Mile | ShotOnWhat?

Assistant To Costume Designer

Moonlight Mile (2002)

Directed by: Brad Silberling

Cinematography by: Phedon Papamichael

Edited by: Lisa Zeno Churgin

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses

The Man Who Wasn't There | ShotOnWhat?

Set Costumer

The Man Who Wasn't There (2001)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Blow | ShotOnWhat?

Costumer

Blow (2001)

Directed by: Ted Demme

Cinematography by: Ellen Kuras

Edited by: Kevin Tent

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

O Brother, Where Art Thou? | ShotOnWhat?

Production Assistant

O Brother, Where Art Thou? (2000)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Any Given Sunday | ShotOnWhat?

Wardrobe Production Assistant

Any Given Sunday (1999)

Directed by: Oliver Stone

Cinematography by: Salvatore Totino

Edited by: Stuart Levy, Thomas J. Nordberg, Keith Salmon, Stuart Waks

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