Waldo Sanchez

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Sound of Freedom | ShotOnWhat?

Hair Stylist: Mr. Caviezel, Calexico Border Unit / Head Hair Designer

Sound of Freedom (2023)

Directed by: Alejandro Monteverde

Cinematography by: Gorka Gómez Andreu

Edited by: Brian Scofield

Cameras: ARRI ALEXA Camera

Den of Thieves | ShotOnWhat?

Key Hair Stylist: Los Angeles

Den of Thieves (2018)

Directed by: Christian Gudegast

Cinematography by: Terry Stacey

Edited by: David S. Cox, Joel Cox, Nathan Godley

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Prime Lenses

Hail, Caesar! | ShotOnWhat?

Hair Stylist: Mr. Clooney / Hair: Mr. Clooney

Hail, Caesar! (2016)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

Tomorrowland | ShotOnWhat?

Hair Stylist: Mr. Clooney / Makeup Artist: Mr. Clooney

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

The Monuments Men | ShotOnWhat?

Hair Department Head

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

21 & Over | ShotOnWhat?

Assistant Key Hair Stylist: Los Angeles

21 & Over (2013)

Directed by: Jon Lucas, Scott Moore

Cinematography by: Terry Stacey

Edited by: John Refoua

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

Gravity | ShotOnWhat?

Hair Stylist: George Clooney

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Nebraska | ShotOnWhat?

Hair Department Head

Nebraska (2013)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses

Editing System: Avid Editing System

End of Watch | ShotOnWhat?

Department Head Hair

End of Watch (2012)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

The Ides of March | ShotOnWhat?

Hair Designer

The Ides of March (2011)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Descendants | ShotOnWhat?

Hair Department Head

The Descendants (2011)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

X-Men Origins: Wolverine | ShotOnWhat?

Hair Stylist: Mr. Jackman

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Up in the Air | ShotOnWhat?

Hair Stylist: Mr. Clooney

Up in the Air (2009)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Men Who Stare at Goats | ShotOnWhat?

Hair Designer

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Leatherheads | ShotOnWhat?

Department Head Hair Stylist

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Burn After Reading | ShotOnWhat?

Hair Stylist: Mr. Clooney

Burn After Reading (2008)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Emmanuel Lubezki

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Ocean's Thirteen | ShotOnWhat?

Hair Department Head

Ocean's Thirteen (2007)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Michael Clayton | ShotOnWhat?

Hair Stylist Department Head

Michael Clayton (2007)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Good German | ShotOnWhat?

Hair Department Head

The Good German (2006)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Panavision Panaflex Millennium XL2 Camera

Good Night, and Good Luck. | ShotOnWhat?

Hair Department Head / Makeup Department Head

Good Night, and Good Luck. (2005)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Syriana | ShotOnWhat?

Hair Department Head

Syriana (2005)

Directed by: Stephen Gaghan

Cinematography by: Robert Elswit

Edited by: Tim Squyres

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Ocean's Twelve | ShotOnWhat?

Hair Department Head

Ocean's Twelve (2004)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Eros | ShotOnWhat?

Key Hair Stylist - Segment "Equilibrium"

Eros (2004)

Directed by: Michelangelo Antonioni, Steven Soderbergh, Kar-Wai Wong

Cinematography by: Christopher Doyle, Marco Pontecorvo, Steven Soderbergh

Edited by: William Chang, Claudio Di Mauro, Steven Soderbergh

Criminal | ShotOnWhat?

Key Hair Stylist

Criminal (2004)

Directed by: Gregory Jacobs

Cinematography by: Chris Menges

Edited by: Douglas Crise, Stephen Mirrione

Intolerable Cruelty | ShotOnWhat?

Hair Stylist: Mr. Clooney

Intolerable Cruelty (2003)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

Signs | ShotOnWhat?

Assistant Hair Stylist

Signs (2002)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Solaris | ShotOnWhat?

Hair Stylist: Mr. Clooney

Solaris (2002)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Ocean's Eleven | ShotOnWhat?

Hair Stylist: Mr. Clooney

Ocean's Eleven (2001)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Pay It Forward | ShotOnWhat?

Key Hair Stylist

Pay It Forward (2000)

Directed by: Mimi Leder

Cinematography by: Oliver Stapleton

Edited by: David Rosenbloom

Cameras: Panavision Cameras

The Perfect Storm | ShotOnWhat?

Hair Stylist: Mr. Clooney

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

O Brother, Where Art Thou? | ShotOnWhat?

Hair Stylist: Mr. Clooney

O Brother, Where Art Thou? (2000)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Bowfinger | ShotOnWhat?

Assistant Hair Stylist

Bowfinger (1999)

Directed by: Frank Oz

Cinematography by: Ueli Steiger

Edited by: Richard Pearson

The Limey | ShotOnWhat?

Hair Stylist

The Limey (1999)

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Sarah Flack

Deep Impact | ShotOnWhat?

Department Head Hair Stylist

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Out of Sight | ShotOnWhat?

Hair Stylist: Mr. Clooney

Out of Sight (1998)

Directed by: Steven Soderbergh

Cinematography by: Elliot Davis

Edited by: Anne V. Coates

The Peacemaker | ShotOnWhat?

Key Hair Stylist

The Peacemaker (1997)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: David Rosenbloom

Batman & Robin | ShotOnWhat?

Hair Stylist

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

One Fine Day | ShotOnWhat?

Hair Stylist: Mr. Clooney, New York

One Fine Day (1996)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

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