Larry M. Shorts

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Geostorm | ShotOnWhat?

Stunt Rigger / Stunts

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Only the Brave | ShotOnWhat?

Stunts

Only the Brave (2017)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Billy Fox

Cameras: Sony CineAlta F65 Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Stunts

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Utility Stunts

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Last Airbender | ShotOnWhat?

Stunts

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Whiteout | ShotOnWhat?

Stunt Rigger

Whiteout (2009)

Directed by: Dominic Sena

Cinematography by: Christopher Soos

Edited by: Martin Hunter

Give 'em Hell Malone | ShotOnWhat?

Stunts

Give 'em Hell Malone (2009)

Directed by: Russell Mulcahy

Cinematography by: Jonathan Hall

Edited by: Robert A. Ferretti

Cameras: Panavision Cameras

Bedtime Stories | ShotOnWhat?

Stunts

Bedtime Stories (2008)

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Eagle Eye | ShotOnWhat?

Stunt Performer / Utility Stunts

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Happening | ShotOnWhat?

Stunts

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

There Will Be Blood | ShotOnWhat?

Stunt Performer

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Jarhead | ShotOnWhat?

Stunts

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Fantastic Four | ShotOnWhat?

Stunts

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

Walking Tall | ShotOnWhat?

Utility Stunts

Walking Tall (2004)

Directed by: Kevin Bray

Cinematography by: Glen MacPherson

Edited by: George Bowers, Robert Ivison

Spider-Man | ShotOnWhat?

Stunt Performer

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Orange County | ShotOnWhat?

Utility Stunts

Orange County (2002)

Directed by: Jake Kasdan

Cinematography by: Greg Gardiner

Edited by: Tara Timpone

The Master of Disguise | ShotOnWhat?

Utility Stunts

The Master of Disguise (2002)

Directed by: Perry Andelin Blake

Cinematography by: Peter Lyons Collister

Edited by: Peck Prior, Sandy S. Solowitz

Cameras: Panavision Cameras

Minority Report | ShotOnWhat?

Stunts

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Men in Black II | ShotOnWhat?

Stunts

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Animal | ShotOnWhat?

Stunts

The Animal (2001)

Directed by: Luke Greenfield

Cinematography by: Peter Lyons Collister

Edited by: Jeff Gourson, Peck Prior

Out of Sight | ShotOnWhat?

Special Effects: Lynn-Wenger Productions

Out of Sight (1998)

Directed by: Steven Soderbergh

Cinematography by: Elliot Davis

Edited by: Anne V. Coates

Speed 2: Cruise Control | ShotOnWhat?

Special Effects

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

The Fan | ShotOnWhat?

Special Effects

The Fan (1996)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Weekend at Bernie's II | ShotOnWhat?

Special Effects Assistant , Utility Stunts

Weekend at Bernie's II (1993)

Directed by: Robert Klane

Cinematography by: Edward Morey III

Edited by: Peck Prior

The Meteor Man | ShotOnWhat?

Electronics Specialist

The Meteor Man (1993)

Directed by: Robert Townsend

Cinematography by: John A. Alonzo

Edited by: Adam Bernardi, Richard Candib, Robaire W. Estel, Andrew London, Pam Wise

Cameras: Panavision Panaflex Gold Camera

True Romance | ShotOnWhat?

Special Effects

True Romance (1993)

Directed by: Tony Scott

Cinematography by: Jeffrey L. Kimball

Edited by: Michael Tronick, Christian Wagner

The Last Boy Scout | ShotOnWhat?

Special Effects

The Last Boy Scout (1991)

Directed by: Tony Scott

Cinematography by: Ward Russell

Edited by: Stuart Baird, Mark Goldblatt, Mark Helfrich

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