Sculptor: Creature Effects Crew
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Sculptor: Amalgamated Dynamics
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Special Makeup Effects Artist
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Key Makeup Artist - Cinovation Studios
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Hellboy Design Consultant
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Makeup Creator / Makeup Designer
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Designer/sculptor: Cinovation
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Designer/sculptor: Cinovation
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Designer/sculptor: Cinovation Studios
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Sculpture Department Head: Cinovation Studios
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Special Makeup Effects Artist
Mighty Joe Young (1998)
Directed by: Ron Underwood
Edited by: Paul Hirsch
Sculptor: Cinovation Studios
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Sculptor: Cinovation Studios
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Head Sculptor: Rick Baker/Cinovation Studio Crew
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Special Makeup Effects Crew: Cinovation Studios
Baby's Day Out (1994)
Directed by: Patrick Read Johnson
Cinematography by: Thomas E. Ackerman
Edited by: David Rawlins
Makeup Artist: Bela Lugosi
Ed Wood (1994)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Special Makeup Effects Crew: Cinovation Studios
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Creature Crew: Rick Baker's Cinovation Studio, Special Makeup Effects Artist
Gremlins 2: The New Batch (1990)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Creature Effects
Hell Comes to Frogtown (1988)
Special Makeup: Los Angeles
Coming to America (1988)
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Sculptor: Cinovation Studios
Gorillas in the Mist (1988)
Directed by: Michael Apted
Cinematography by: John Seale
Edited by: Stuart Baird
Cameras: ARRIFLEX 35 BL4s Camera
Prosthetic Painter
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Special Makeup Effects Artist
Beetlejuice (1988)
Directed by: Tim Burton
Cinematography by: Thomas E. Ackerman
Edited by: Jane Kurson
Sculptor: Rick Baker's Crew, Special Makeup Effects Artist
Harry and the Hendersons (1987)
Directed by: William Dear
Cinematography by: Allen Daviau
Edited by: Donn Cambern
Art Department Coordinator: Creature Effects Unit
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
Creature Effects Crew, Special Makeup Effects Artist
Invaders from Mars (1986)
Directed by: Tobe Hooper
Cinematography by: Daniel Pearl
Edited by: Alain Jakubowicz
Creature Effects Crew
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
