Special Effects Coordinator
Superbad (2007)
Directed by: Greg Mottola
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Phantom HD Camera
Editing System: Avid Editing System
Special Effects Set Supervisor
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Special Effects Supervisor
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Special Effects Coordinator
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Special Effects
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Special Effects Supervisor: Los Angeles
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Special Effects Foreman
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Special Effects Technician
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Special Effects Foreman
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Special Effects
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Mechanical Special Effects Key: First Unit
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Special Effects
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Special Effects Foreman
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Foreman
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Special Effects
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Set Effects
The Cable Guy (1996)
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Special Effects Set Foreman
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Special Effects Foreman
Natural Born Killers (1994)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Special Effects
Falling Down (1993)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Platinum Camera
Special Effects Foreman
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Special Effects Foreman
Arachnophobia (1990)
Directed by: Frank Marshall
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Special Effects
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Special Effects
The Lost Boys (1987)
Directed by: Joel Schumacher
Cinematography by: Michael Chapman
Edited by: Robert Brown
Special Effects Assistant
The Color Purple (1985)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Special Effects Crew
Firestarter (1984)
Directed by: Mark L. Lester
Cinematography by: Giuseppe Ruzzolini
Special Effects
Blue Thunder (1983)
Directed by: John Badham
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Special Effects Assistant
Blood Beach (1980)
Directed by: Jeffrey Bloom
Cinematography by: Steven Poster
Edited by: Gary Griffin
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
Any Which Way You Can (1980)
Directed by: Buddy Van Horn
Cinematography by: David Worth
