Special Effects Coordinator
A Beautiful Day in the Neighborhood (2019)
Directed by: Marielle Heller
Cinematography by: Jody Lee Lipes
Edited by: Anne McCabe
Special Effects Coordinator
'Mindhunter' Episode #1.1 (2017)
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Special Effects Coordinator
'Mindhunter' Episode #1.3 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Special Effects Coordinator
'Mindhunter' Episode #1.7 (2017)
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Special Effects Coordinator - 3 Episodes, 2017
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Special Effects Coordinator
Fathers & Daughters (2015)
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Special Effects Coordinator
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Special Effects Supervisor
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Special Effects Technician
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Special Effects Foreperson
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Special Effects Key
Won't Back Down (2012)
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Special Effects Coordinator
Promised Land (2012)
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Special Effects Technician
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Special Effects Technician
Alex Cross (2012)
Directed by: Rob Cohen
Cinematography by: Ricardo Della Rosa
Special Effects Technician: West Virginia
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Special Effects Technician
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Special Effects Technician
Justified (2010)
Directed by: Adam Arkin, Jon Avnet, Peter Werner, Michael Dinner, John Dahl, Bill Johnson, Michael W. Watkins, Gwyneth Horder-Payton, Don Kurt, Dean Parisot, Tony Goldwyn, Michael Pressman, Rod Holcomb, Michael Katleman, Frederick King Keller, John David Coles, Billy Gierhart, Lesli Linka Glatter, Peter Weller
Cinematography by: Francis Kenny, Stefan von Bjorn, Edward J. Pei, Richard Crudo, Attila Szalay, Peter Levy, Andrew Strahorn
Special Effects Technician
Love & Other Drugs (2010)
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Special Effects Technician: Florida
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Special Effects
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Special Effects
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Special Effects Technician
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Shop Craftsman
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Special Effects Technician
Gods and Generals (2003)
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
Special Effects Technician
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Special Effects Assistant
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Key Special Effects
Buffalo Soldiers (1997)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: Andrew Doerfer
