Special Effects Supervisor
Sonic the Hedgehog 2 (2022)
Directed by: Jeff Fowler
Cinematography by: Brandon Trost
Edited by: Jim May
Cameras: ARRI ALEXA Mini LF Camera
Editing System: Avid Editing System
Special Effects Supervisor
The Art of Racing in the Rain (2019)
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Special Effects Supervisor
'Altered Carbon' Clash by Night (2018)
Directed by: Uta Briesewitz
Cinematography by: Neville Kidd
Edited by: Julian Clarke
Special Effects Supervisor
'Altered Carbon' Rage in Heaven (2018)
Directed by: Peter Hoar
Cinematography by: Martin Ahlgren
Edited by: Byron Smith
Special Effects Supervisor
'Altered Carbon' Out of the Past (2018)
Directed by: Miguel Sapochnik
Cinematography by: Martin Ahlgren
Edited by: Barry Alexander Brown
Special Effects Supervisor
'Altered Carbon' The Killers (2018)
Directed by: Peter Hoar
Cinematography by: Martin Ahlgren
Special Effects Supervisor
'Altered Carbon' Fallen Angel (2018)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Special Effects Supervisor
'Altered Carbon' In a Lonely Place (2018)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Special Effects Supervisor
'Altered Carbon' Force of Evil (2018)
Directed by: Alex Graves
Cinematography by: Martin Ahlgren
Edited by: Amy M. Fleming
Special Effects Supervisor - 7 Episodes, 2018
Altered Carbon (2018)
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Special Effects Supervisor
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Special Effects Supervisor
Bad Times at the El Royale (2018)
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Special Effects Coordinator
Death Note (2017)
Directed by: Adam Wingard
Cinematography by: David Tattersall
Edited by: Louis Cioffi
Cameras: Panasonic VariCam 35, Panasonic VariCam Camera
Special Effects Supervisor
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Special Effects Supervisor
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Special Effects Supervisor
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Special Effects Supervisor: Additional Photography, Vancouver
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Special Effects Coordinator
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Special Effects Coordinator: Vancouver
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Special Effects Coordinator
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Special Effects Coordinator
Sucker Punch (2011)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Special Effects Coordinator
The Cabin in the Woods (2011)
Directed by: Drew Goddard
Cinematography by: Peter Deming
Edited by: Lisa Lassek
Special Effects Coordinator
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Special Effects Rigger
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Special Effects Coordinator
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Pyrotechnician
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Special Effects Coordinator
Shooter (2007)
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Special Effects Coordinator
Code Name: The Cleaner (2007)
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Special Effects Coordinator
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Special Effects Coordinator
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Special Effects Coordinator
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Special Effects Coordinator: Second Unit
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Special Effects Coordinator: Second Unit
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Special Effects Coordinator
Freddy Got Fingered (2001)
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
Additional Special Effects
Heaven's Fire (1999)
Directed by: David Warry-Smith
Cinematography by: Gordon Verheul
Edited by: Grace Yuen
Cameras: Panavision Cameras
Second Unit Special Effects Assistant
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Special Effects Coordinator
Disturbing Behavior (1998)
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Randy Jon Morgan
Effects Coordinator: St. Lucia
Creature (1998)
Directed by: Stuart Gillard
Cinematography by: Thomas Burstyn
Edited by: Rick Martin
Best Boy Special Effects
Volcano: Fire on the Mountain (1997)
Directed by: Graeme Campbell
Cinematography by: Tobias A. Schliessler
Edited by: Michael Schweitzer
Set Supervisor
Carpool (1996)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Cameras: Panavision Cameras
Aerial Rigger
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Special Effects Assistant
Another Stakeout (1993)
Directed by: John Badham
Cinematography by: Roy H. Wagner
Edited by: Frank Morriss
Special Effects Second Assistant
Stay Tuned (1992)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Assistant
Run (1991)
Directed by: Geoff Burrowes
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Special Effects Assistant
Bird on a Wire (1990)
Directed by: John Badham
Cinematography by: Robert Primes
Special Effects Assistant
The Fly II (1989)
Directed by: Chris Walas
Cinematography by: Robin Vidgeon
Edited by: Sean Barton
Special Effects Assistant
Shoot to Kill (1988)
Directed by: Roger Spottiswoode
Cinematography by: Michael Chapman
