Executive Producer, Second Unit Director: Los Angeles, Unit Production Manager
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
First Assistant Director
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Executive Producer, First Assistant Director
Nebraska (2013)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses
Editing System: Avid Editing System
Executive Producer
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Executive Producer
The Way Way Back (2013)
Cinematography by: John Bailey
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA Camera
Executive Producer, Unit Production Manager
Silver Linings Playbook (2012)
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
First Assistant Director
A Cinderella Story: Once Upon a Song (2011)
Directed by: Damon Santostefano
Cinematography by: John Peters
Edited by: Tony Lombardo
Cameras: Panavised Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Co-producer, Production Manager
The Descendants (2011)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Production Consultant
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
First Assistant Director: Additional Photography
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Associate Producer, First Assistant Director
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
Co-producer
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
First Assistant Director: Second Unit
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Co-producer, First Assistant Director
Sideways (2004)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
First Assistant Director
Unconditional Love (2002)
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
First Assistant Director
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
First Assistant Director
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
First Assistant Director
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
First Assistant Director / Second Unit Director
Election (1999)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Director
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
First Assistant Director
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
First Assistant Director
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
First Assistant Director: Second Unit
2 Days in the Valley (1996)
Directed by: John Herzfeld
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Director
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
First Assistant Director: Second Unit
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
First Assistant Director
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
First Assistant Director, Rebel Leader
Gunmen (1993)
Directed by: Deran Sarafian
Cinematography by: Hiro Narita
Edited by: Bonnie Koehler
First Assistant Director: Second Unit
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
First Assistant Director
CrissCross (1992)
Directed by: Chris Menges
Cinematography by: Ivan Strasburg
Edited by: Tony Lawson
First Assistant Director: Second Unit
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Second Assistant Director
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Second Assistant Director
Men at Work (1990)
Directed by: Emilio Estevez
Cinematography by: Tim Suhrstedt
Edited by: Craig Bassett
Second Second Assistant Director
The Boost (1988)
Directed by: Harold Becker
Cinematography by: Howard Atherton
Edited by: Maury Winetrobe
Assistant: Doug Claybourne
Blue City (1986)
Directed by: Michelle Manning
Cinematography by: Steven Poster
Edited by: Ross Albert
Production Assistant
Peggy Sue Got Married (1986)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Set Production Assistant
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
