Supervising Sound Editor
May December (2023)
Directed by: Todd Haynes
Cinematography by: Christopher Blauvelt
Edited by: Affonso Gonçalves
Cameras: ARRI Alexa 35 Camera
Dialogue Editor
Maestro (2023)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Michelle Tesoro
Lenses: Panavision PVintage Prime Lenses
Dialogue Editor
Blonde (2022)
Directed by: Andrew Dominik
Cinematography by: Chayse Irvin
Edited by: Adam Robinson
Supervising Dialogue Editor
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Supervising Dialogue/adr Editor
Carol (2015)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Affonso Gonçalves
Cameras: ARRIFLEX 416 Camera
Supervising Sound Editor
'True Detective' Seeing Things (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Supervising Sound Editor
'True Detective' Form and Void (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Supervising Sound Editor
'True Detective' After You've Gone (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Supervising Sound Editor
'True Detective' Haunted Houses (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Supervising Sound Editor
'True Detective' The Locked Room (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Supervising Sound Editor
'True Detective' Who Goes There (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Supervising Sound Editor
'True Detective' The Secret Fate of All Life (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Supervising Sound Editor
'True Detective' The Long Bright Dark (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Supervising Sound Editor - 8 Episodes, 2014
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Dialogue/adr Editor
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Adr Supervisor: New York
Stand Up Guys (2012)
Directed by: Fisher Stevens
Cinematography by: Michael Grady
Edited by: Mark Livolsi
Cameras: Red Epic Camera
Co-supervising Sound Editor
Friends with Kids (2011)
Directed by: Jennifer Westfeldt
Cinematography by: William Rexer
Edited by: Tara Timpone
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Supervising Dialogue & Adr Editor
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Dialogue Editor
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Dialogue Editor
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Sound Effects Editor
The Wrestler (2008)
Directed by: Darren Aronofsky
Cinematography by: Maryse Alberti
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera
Supervising Dialogue Editor
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Dialogue Editor
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
Brooklyn Rules (2007)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Supervising Sound Editor
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Supervising Sound Editor
A Prairie Home Companion (2006)
Directed by: Robert Altman
Cinematography by: Edward Lachman
Edited by: Jacob Craycroft
Cameras: Sony HDW-F900 Camera
Lenses: Fujinon Lenses
Supervising Sound Editor
Infamous (2006)
Directed by: Douglas McGrath
Cinematography by: Bruno Delbonnel
Edited by: Camilla Toniolo
Supervising Sound Editor
Carandiru (2003)
Directed by: Hector Babenco
Cinematography by: Walter Carvalho
Edited by: Mauro Alice
Sound / Supervising Sound Editor
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
Supervising Sound Editor
View from the Top (2003)
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Sound Design Editor
People I Know (2002)
Directed by: Daniel Algrant
Cinematography by: Peter Deming
Edited by: Suzy Elmiger
Sound Editor
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Supervising Sound Editor
Someone Like You... (2001)
Directed by: Tony Goldwyn
Cinematography by: Anthony B. Richmond
Edited by: Dana Congdon
Supervising Sound Editor
Velvet Goldmine (1998)
Directed by: Todd Haynes
Cinematography by: Maryse Alberti
Edited by: James Lyons
Cameras: Aaton Cameras, Panavision Panaflex Gold Camera
Supervising Sound Editor
The Real Blonde (1997)
Directed by: Tom DiCillo
Cinematography by: Frank Prinzi
Supervising Sound Editor
Afterglow (1997)
Directed by: Alan Rudolph
Cinematography by: Toyomichi Kurita
Edited by: Suzy Elmiger
Cameras: ARRIFLEX Camera
Supervising Sound Editor
Box of Moonlight (1996)
Directed by: Tom DiCillo
Cinematography by: Paul Ryan
Edited by: Camilla Toniolo
Dialogue Editor
American Buffalo (1996)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Foley Editor
The Perez Family (1995)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Cameras: Moviecam Compact Camera
Dialogue Editor
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Supervising Sound Editor
Living in Oblivion (1995)
Directed by: Tom DiCillo
Cinematography by: Frank Prinzi
Foley Editor
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Foley Editor
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Foley Editor
Imaginary Crimes (1994)
Directed by: Anthony Drazan
Cinematography by: John J. Campbell
Edited by: Elizabeth Kling
Foley Editor
Household Saints (1993)
Directed by: Nancy Savoca
Cinematography by: Bobby Bukowski
Edited by: Elizabeth Kling
Foley Editor
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Foley Editor
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Foley Editor
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Foley Editor
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX Camera
Assistant Sound Editor
Maximum Overdrive (1986)
Directed by: Stephen King
Cinematography by: Armando Nannuzzi
Edited by: Evan A. Lottman
