Christopher Barnett

40 Titles

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Come Away | ShotOnWhat?

Re-recording Mixer, Supervising Sound Editor

Come Away (2020)

Directed by: Brenda Chapman

Cinematography by: Jules O'Loughlin

Edited by: Dody Dorn

The Old Man & the Gun | ShotOnWhat?

Dialogue Pre-dub Mixer

The Old Man & the Gun (2018)

Directed by: David Lowery

Cinematography by: Joe Anderson

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX 416 Camera

Lenses: Canon Lenses, Cooke S4 Lenses

The Book of Henry | ShotOnWhat?

Dialogue Editor

The Book of Henry (2017)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses

A Cure for Wellness | ShotOnWhat?

Dialogue Editor

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Allegiant | ShotOnWhat?

Dialogue/adr Supervisor

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Racing Extinction | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Racing Extinction (2015)

Directed by: Louie Psihoyos

Cinematography by: John Behrens, Shawn Heinrichs, Sean Kirby, Petr Stepanek

Edited by: Geoffrey Richman, Lyman Smith, Jason Zeldes

Fishing Without Nets | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Fishing Without Nets (2014)

Directed by: Cutter Hodierne

Cinematography by: Alex Disenhof

Edited by: Cutter Hodierne, Dominic LaPerriere

Cameras: Red Epic Camera, Red Scarlet Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Additional Re-recording Mixer / Sound Editor, Dialogue Editor

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Captain America: The Winter Soldier | ShotOnWhat?

Dialogue Editor

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Dirty Wars | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Dirty Wars (2013)

Directed by: Rick Rowley

Cinematography by: Rick Rowley

Edited by: David Riker, Rick Rowley

Cameras: Canon EOS-5D Mark II Camera, Panasonic Cameras

Despicable Me 2 | ShotOnWhat?

Additional Re-recording Mixer

Despicable Me 2 (2013)

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

Fruitvale Station | ShotOnWhat?

Additional Dialogue Editor

Fruitvale Station (2013)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRIFLEX 416 Camera

Lenses: Zeiss Ultra 16 Lenses

Inequality for All | ShotOnWhat?

Re-recording Mixer , Sound Designer

Inequality for All (2013)

Directed by: Jacob Kornbluth

Cinematography by: Svetlana Cvetko, Dan Krauss

Edited by: Kim Roberts, Miranda Yousef

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon EOS-C300 Camera, Sony PMW-F3 Camera

Flight | ShotOnWhat?

Additional Re-recording Mixer: Dialog Premix

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Lorax | ShotOnWhat?

Additional Re-recording Mixer

The Lorax (2012)

Directed by: Chris Renaud, Kyle Balda

Edited by: Claire Dodgson, Steven Liu, Ken Schretzmann

Madagascar 3: Europe's Most Wanted | ShotOnWhat?

Sound Designer/editor

Madagascar 3: Europe's Most Wanted (2012)

Directed by: Eric Darnell, Tom McGrath, Conrad Vernon

Edited by: Nick Fletcher

Editing System: Avid Editing System

Texas Killing Fields | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Texas Killing Fields (2011)

Directed by: Ami Canaan Mann

Cinematography by: Stuart Dryburgh

Edited by: Cindy Mollo

Cameras: Panavision Genesis Camera

Let's Pollute | ShotOnWhat?

Sound / Re-recording Mixer / Sound Designer / Supervising Sound Editor

Let's Pollute (2009)

Directed by: Geefwee Boedoe

Edited by: Torbin Xan Bullock

Whip It | ShotOnWhat?

Additional Re-recording Mixer

Whip It (2009)

Directed by: Drew Barrymore

Cinematography by: Robert D. Yeoman

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Hellboy II: The Golden Army | ShotOnWhat?

Co-supervising Sound Editor , Sound Designer

Hellboy II: The Golden Army (2008)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Sicko | ShotOnWhat?

Mix Technician

Sicko (2007)

Directed by: Michael Moore

Cinematography by: Andrew Black, Jayme Roy

Edited by: Geoffrey Richman, Christopher Seward, Dan Swietlik

There Will Be Blood | ShotOnWhat?

Additional Re-recording Mixer

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Into the Wild | ShotOnWhat?

Additional Re-recording Mixer

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

We Own the Night | ShotOnWhat?

Assistant Sound Editor

We Own the Night (2007)

Directed by: James Gray

Cinematography by: Joaquín Baca-Asay

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Sound Mix Technician

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Abominable | ShotOnWhat?

Re-recording Mixer

Abominable (2006)

Directed by: Ryan Schifrin

Cinematography by: Neal Fredericks

Edited by: Chris Conlee

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

Stage Mix Engineer

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

Rent | ShotOnWhat?

Dubbing Mixer

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

Finding Neverland | ShotOnWhat?

Re-recording Engineer: Skywalker Sound

Finding Neverland (2004)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Editing System: Avid Editing System

Darkness Falls | ShotOnWhat?

Engineering Services

Darkness Falls (2003)

Directed by: Jonathan Liebesman

Cinematography by: Dan Laustsen

Edited by: Timothy Alverson, Steve Mirkovich

Maid in Manhattan | ShotOnWhat?

Stage Engineer

Maid in Manhattan (2002)

Directed by: Wayne Wang

Cinematography by: Karl Walter Lindenlaub

Edited by: Craig McKay

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Mix Stage Engineer

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Adaptation. | ShotOnWhat?

Re-recording Engineer

Adaptation. (2002)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

K-19: The Widowmaker | ShotOnWhat?

Re-recording Mixer

K-19: The Widowmaker (2002)

Directed by: Kathryn Bigelow

Cinematography by: Jeff Cronenweth

Edited by: Walter Murch

Windtalkers | ShotOnWhat?

Sound Mix Engineer

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

Bandits | ShotOnWhat?

Mix Stage Engineer

Bandits (2001)

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

The Grey Zone | ShotOnWhat?

Engineering Services

The Grey Zone (2001)

Directed by: Tim Blake Nelson

Cinematography by: Russell Lee Fine

Edited by: Michelle Botticelli, Tim Blake Nelson

Quills | ShotOnWhat?

Re-recording Engineer

Quills (2000)

Directed by: Philip Kaufman

Cinematography by: Rogier Stoffers

Edited by: Peter Boyle

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Space Cowboys | ShotOnWhat?

Re-recording Engineer

Space Cowboys (2000)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Requiem for a Dream | ShotOnWhat?

Skywalker Sound Technical Staff: Engineering Services

Requiem for a Dream (2000)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Jay Rabinowitz

Cameras: Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

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