John Hayes

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Tetris | ShotOnWhat?

Production Sound Mixer

Tetris (2021)

Directed by: Jon S. Baird

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision AWZ2.3 37-85mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Eddie the Eagle | ShotOnWhat?

Production Sound Mixer

Eddie the Eagle (2015)

Directed by: Dexter Fletcher

Cinematography by: George Richmond

Edited by: Martin Walsh

Cameras: ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Production Sound Mixer: Additional Photography

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Kingsman: The Secret Service | ShotOnWhat?

Production Sound Mixer: 2nd Unit

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Paddington | ShotOnWhat?

Production Sound Mixer: Additional Photography

Paddington (2014)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

Guardians of the Galaxy | ShotOnWhat?

Sound

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Kick-Ass 2 | ShotOnWhat?

Production Sound Mixer: Second Unit

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Trance | ShotOnWhat?

Sound Mixer: Second Unit

Trance (2013)

Directed by: Danny Boyle

Cinematography by: Anthony Dod Mantle

Edited by: Jon Harris

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera

Lenses: ARRI / Fujinon Lenses, Canon Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Now Is Good | ShotOnWhat?

Production Sound Mixer

Now Is Good (2012)

Directed by: Ol Parker

Cinematography by: Erik Wilson

Edited by: Peter Lambert

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

X: First Class | ShotOnWhat?

Production Sound Mixer: Second Unit

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Centurion | ShotOnWhat?

Sound Recordist

Centurion (2010)

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Chris Gill

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Lightworks Editing System

Kick-Ass | ShotOnWhat?

Production Sound Mixer: Second Unit

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Green Zone | ShotOnWhat?

Sound Mixer: Second Unit

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

4.3.2.1. | ShotOnWhat?

Production Sound Mixer

4.3.2.1. (2010)

Directed by: Noel Clarke, Mark Davis

Cinematography by: Franco Pezzino

Edited by: Mark Davis, Mark Everson

RocknRolla | ShotOnWhat?

Production Sound Mixer

RocknRolla (2008)

Directed by: Guy Ritchie

Cinematography by: David Higgs

Edited by: James Herbert

Cameras: ARRIFLEX D-20 Camera

Mamma Mia! | ShotOnWhat?

Sound Mixer: Splinter Unit

Mamma Mia! (2008)

Directed by: Phyllida Lloyd

Cinematography by: Haris Zambarloukos

Edited by: Lesley Walker

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

The Walker | ShotOnWhat?

Production Sound Mixer

The Walker (2007)

Directed by: Paul Schrader

Cinematography by: Chris Seager

Edited by: Julian Rodd

Cameras: ARRI Cameras

28 Weeks Later | ShotOnWhat?

Production Sound Mixer: Second Unit

28 Weeks Later (2007)

Directed by: Juan Carlos Fresnadillo

Cinematography by: Enrique Chediak

Edited by: Chris Gill

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses: Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Stardust | ShotOnWhat?

Production Sound Mixer: Second Unit

Stardust (2007)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

The Libertine | ShotOnWhat?

Production Sound Mixer, Sound Recordist

The Libertine (2004)

Directed by: Laurence Dunmore

Cinematography by: Alexander Melman

Edited by: Jill Bilcock

The Bunker | ShotOnWhat?

Sound Recordist

The Bunker (2001)

Directed by: Rob Green

Cinematography by: John Pardue

Edited by: Richard Milward

High Heels and Low Lifes | ShotOnWhat?

Second Sound Mixer

High Heels and Low Lifes (2001)

Directed by: Mel Smith

Cinematography by: Steven Chivers

Edited by: Chris Blunden

Guest House Paradiso | ShotOnWhat?

Sound Recordist

Guest House Paradiso (1999)

Directed by: Adrian Edmondson

Cinematography by: Alan Almond

Edited by: Sean Barton

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