Digital Intermediate Producer
'Barry' berkman > block (2019)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Digital Intermediate Producer
'Barry' The Audition (2019)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Digital Intermediate Producer
'Barry' The Truth Has a Ring to It (2019)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Digital Intermediate Producer
'Barry' ronny/lily (2019)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Digital Intermediate Producer
'Barry' What?! (2019)
Directed by: Liza Johnson
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Digital Intermediate Producer
'Barry' Past = Present x Future Over Yesterday (2019)
Directed by: Minkie Spiro
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Digital Intermediate Producer
'Barry' The Power of No (2019)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Digital Intermediate Producer
'Barry' The Show Must Go On, Probably? (2019)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Digital Intermediate Assistant
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Digital Intermediate Assistant
The Book of Henry (2017)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Lenses: Panavision Lenses
Digital Intermediate Assistant
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Digital Intermediate Assistant
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Primo Digital Lenses
Digital Intermediate Assistant
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Digital Intermediate Assistant
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Digital Intermediate Assistant
A Cure for Wellness (2016)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Digital Intermediate Assistant
Meadowland (2015)
Directed by: Reed Morano
Cinematography by: Reed Morano
Edited by: Madeleine Gavin
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Digital Intermediate Assistant
Run All Night (2015)
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
Digital Intermediate Assistant
The Cobbler (2014)
Directed by: Tom McCarthy
Cinematography by: W. Mott Hupfel III
Edited by: Tom McArdle
Cameras: ARRI ALEXA Plus Camera
Digital Intermediate Assistant
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Digital Intermediate Assistant
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Color Assistant
The Purge (2013)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Digital Intermediate Assistant
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Color Assistant: CO3
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Intermediate Assistant: Company 3
12 Years a Slave (2013)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Digital Intermediate Assistant
Oldboy (2013)
Directed by: Spike Lee
Cinematography by: Sean Bobbitt
Edited by: Barry Alexander Brown
Lenses: ARRI / Fujinon Lenses, Cooke 5/i Lenses
Editing System: Avid Editing System
Color Assistant: Company 3
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Color Assistant: Company 3
The Fifth Estate (2013)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Color Assistant
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Digital Intermediate Assistant
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Assistant
For Greater Glory: The True Story of Cristiada (2012)
Directed by: Dean Wright
Cinematography by: Eduardo Martínez Solares
Cameras: ARRIFLEX 435 Camera
Lenses: Zeiss Lenses
Digital Intermediate Color Assistant
Spring Breakers (2012)
Directed by: Harmony Korine
Cinematography by: Benoît Debie
Edited by: Douglas Crise
Cameras: ARRICAM Lite (LT) Camera
Digital Intermediate Colorist Assistant
Robot & Frank (2012)
Directed by: Jake Schreier
Cinematography by: Matthew J. Lloyd
Edited by: Jacob Craycroft
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Digital Intermediate Assistant
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
