Digital Compositor: Framestore
Downton Abbey (2019)
Movie
Directed by: Michael Engler
Cinematography by: Ben Smithard
Edited by: Mark Day
Cameras: Sony Cameras, Sony CineAlta VENICE Camera
Lead Compositor: Framestore
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Digital Compositor
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Lead Compositor: Framestore
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Lead Compositor: Framestore
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Lead Compositor
Dracula Untold (2014)
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Digital Compositor
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Compositor/cg Lighting/effects Artist/animator: Double Negative
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Digital Compositor
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Digital Compositor
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Compositor
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Digital Compositor
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Digital Compositor
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Digital Compositor
From Paris with Love (2010)
Directed by: Pierre Morel
Cinematography by: Michel Abramowicz
Edited by: Frédéric Thoraval
Digital Compositor
Blood: The Last Vampire (2009)
Directed by: Chris Nahon
Cinematography by: Hang-Sang Poon
Edited by: Marco Cavé
Cameras: ARRI Cameras, ARRIFLEX 435 Xtreme Camera
Digital Compositor
Le dernier vol (2009)
Directed by: Karim Dridi
Cinematography by: Antoine Monod
Edited by: Lise Beaulieu
Digital Compositor
Priceless (2006)
Directed by: Pierre Salvadori
Cinematography by: Gilles Henry
Edited by: Isabelle Devinck
Digital Compositor
Days of Glory (2006)
Directed by: Rachid Bouchareb
Cinematography by: Patrick Blossier
Edited by: Yannick Kergoat
Lenses: Hawk Anamorphic Lenses
Digital Compositor
Nuovomondo (2006)
Directed by: Emanuele Crialese
Cinematography by: Agnès Godard
Edited by: Maryline Monthieux
Digital Compositor
Man to Man (2005)
Directed by: Régis Wargnier
Cinematography by: Laurent Dailland
Edited by: Yann Malcor
Digital Compositor: : L'E.S.T.
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
Going Back (2001)
Directed by: Sidney J. Furie
Cinematography by: Curtis Petersen
Edited by: Saul Pincus
Rotoscoper
The Crimson Rivers (2000)
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Maryline Monthieux
