Visul Effects Supervisor: Factory VFX
'Helstrom' Scars (2020)
Directed by: Bill Roe
Cinematography by: Christopher Charles Kempinski
Edited by: Hunter M. Via
Sequence Supervisor: Factory VFX
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Sequence Supervisor: Factory VFX
Bad Times at the El Royale (2018)
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Sequence Supervisor: Factory VFX
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Visual Effects Supervisor
'13 Reasons Why' Tape 4, Side A (2017)
Directed by: Gregg Araki
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
Sequence Supervisor: Factory VFX
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Visual Effects Supervisor - 10 Episodes, 2017
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
Visual Effects Supervisor
'13 Reasons Why' Tape 7, Side A (2017)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
Visual Effects Supervisor
'13 Reasons Why' Tape 6, Side B (2017)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
Visual Effects Supervisor
'13 Reasons Why' Tape 5, Side B (2017)
Directed by: Carl Franklin
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
Visual Effects Supervisor
'13 Reasons Why' Tape 4, Side B (2017)
Directed by: Gregg Araki
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
Visual Effects Supervisor
'13 Reasons Why' Tape 1, Side B (2017)
Directed by: Tom McCarthy
Cinematography by: Andrij Parekh
Edited by: Leo Trombetta
Visual Effects Supervisor
'13 Reasons Why' Tape 2, Side A (2017)
Directed by: Helen Shaver
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
Visual Effects Supervisor
'13 Reasons Why' Tape 2, Side B (2017)
Directed by: Helen Shaver
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
Visual Effects Supervisor
'13 Reasons Why' Tape 3, Side A (2017)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
Visual Effects Supervisor
'13 Reasons Why' Tape 1, Side A (2017)
Directed by: Tom McCarthy
Cinematography by: Andrij Parekh
Edited by: Leo Trombetta
Sequence Supervisor: Factory VFX
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Compositing Supervisor: Factory VFX
Ride Along 2 (2016)
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Senior Digital Artist
Spy (2015)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Senior Digital Artist: Factory VFX
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Senior Digital Artist: Factory VFX
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Senior Digital Artist: Factory VFX
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Digital Artist: Factory VFX
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Senior Digital Artist: Factory VFX
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Senior Digital Artist: Factory VFX
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Digital Effects Supervisor: RotoFactory
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Senior Digital Artist: Factory VFX
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Digital Effects Supervisor: Factory VFX
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Senior Digital Artist: Factory VFX
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Stereoscopic Supervisor: FactoryVFX
Piranha 3DD (2012)
Directed by: John Gulager
Cinematography by: Alex Lehmann
Digital Effects Supervisor
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Digital Artist
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Digital Effects Supervisor
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Digital Artist
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Digital Artist: RotoFactory
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Digital Artist: RotoFactory, Inc.
The Love Guru (2008)
Directed by: Marco Schnabel
Cinematography by: Peter Deming
