Visual Effects Supervisor: Method
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Digital Effects Supervisor: Riot
Blood Creek (2009)
Directed by: Joel Schumacher
Cinematography by: Darko Suvak
Edited by: Mark Stevens
Digital Compositor
The Time Traveler's Wife (2009)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Digital Effects Supervisor: Riot
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Digital Compositor
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Digital Effects Supervisor: Riot
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
On Set Visual Effects Supervisor: Los Angeles
'The Sopranos' Kennedy and Heidi (2007)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Digital Compositor
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Digital Compositor
The Seeker: The Dark Is Rising (2007)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Senior Compositor: R!OTt
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Digital Compositor
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Digital Compositor
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Compositor
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Digital Compositor
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Digital Compositor
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Digital Compositor
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
Biker Boyz (2003)
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Digital Compositor
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Compositor
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Digital Compositor
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor: R!OT
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Digital Compositor: R!OT Pictures
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Digital Compositor
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Digital Compositor
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Digital Compositor
Hardball (2001)
Directed by: Brian Robbins
Cinematography by: Tom Richmond
Edited by: Ned Bastille
Digital Compositing Artist
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Paint Artist: POP Film & Animation / Rotoscope Artist: POP Film & Animation
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
On Set Visual Effects Supervisor: Los Angeles - 1 Episode, 2007
The Sopranos (1999)
Directed by: Timothy Van Patten, John Patterson, Allen Coulter, Alan Taylor, Henry Bronchtein, Jack Bender, Steve Buscemi, Daniel Attias, David Chase, Nick Gomez, Matthew Penn, Lorraine Senna, Andy Wolk, Martin Bruestle, Lee Tamahori, James Hayman, Peter Bogdanovich, Mike Figgis, Rodrigo García, Danny Leiner, David Nutter, Steve Shill, Phil Abraham, Terence Winter
Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Roto And Paint Artist
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra