Visual Effects Supervisor
Victoria & Abdul (2017)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Visual Effects Supervisor
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Visual Effects Supervisor
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Visual Effects Supervisor
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
The Theory of Everything (2014)
Directed by: James Marsh
Cinematography by: Benoît Delhomme
Edited by: Jinx Godfrey
Visual Effects Producer
'71 (2014)
Directed by: Yann Demange
Cinematography by: Tat Radcliffe
Edited by: Chris Wyatt
Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera
Visual Effects Supervisor: Union Visual Effects
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Visual Effects Supervisor Union Vfx
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Visual Effects Supervisor: Union VFX
Hyde Park on Hudson (2012)
Directed by: Roger Michell
Cinematography by: Lol Crawley
Edited by: Nicolas Gaster
Visual Effects Supervisor Union Vfx
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Compositor: Bluff Hampton Company
The Special Relationship (2010)
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Supervisor
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Union VFX
Glorious 39 (2009)
Directed by: Stephen Poliakoff
Cinematography by: Danny Cohen
Edited by: Jason Krasucki
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Supervisor
Slumdog Millionaire (2008)
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Rainmaker UK
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Visual Effects Supervisor: CIS London
The Duchess (2008)
Directed by: Saul Dibb
Cinematography by: Gyula Pados
Edited by: Masahiro Hirakubo
Visual Effects Supervisor: Rainmaker UK
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Visual Effects Supervisor: Rainmaker UK
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor: Rainmaker UK
La Vie en Rose (2007)
Directed by: Olivier Dahan
Cinematography by: Tetsuo Nagata
Edited by: Richard Marizy
Visual Effects Supervisor: Rainmaker Animation & Visual Effects UK
Shattered (2007)
Directed by: Mike Barker
Cinematography by: Ashley Rowe
Compositing Supervisor: MPC
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Effects Compositing Supervisor
Jekyll + Hyde (2006)
Directed by: Nick Stillwell
Cinematography by: Philip Robertson
Edited by: David Barrett
Sequence Supervisor: Clear
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Lead Compositor: Clear Films
Tristram Shandy: A Cock and Bull Story (2005)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Peter Christelis
Cameras: Sony HDC-750 Camera
2d Lead Operator: Clear
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Compositor
Wasp (2003)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Digital Compositor: Cinesite
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor / Digital Sequence Supervisor
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
2D Artist
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
