Music Recording Engineer
The Best of Me (2014)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Matt Chesse
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Music Recording Engineer
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Music Scoring Mixer
The Single Moms Club (2014)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Music Recording Engineer
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Music Scoring Mixer
Temptation: Confessions of a Marriage Counselor (2013)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Music Scoring Mixer: Music Recording Engineer
Good Deeds (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Recording And Mixed By
Madea's Witness Protection (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Music Recording Engineer
A Thousand Words (2012)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Music Recordist / Music Scoring Mixer
Step Up Revolution (2012)
Directed by: Scott Speer
Cinematography by: Karsten Gopinath
Cameras: Red Epic Camera
Music Scoring Mixer
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Music Scoring Mixer / Score Recordist
What's Your Number? (2011)
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Additional Mixing
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Music Scoring Mixer
Amanda Knox (2011)
Directed by: Robert Dornhelm
Cinematography by: Gian Enrico Bianchi
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Music Scoring Mixer: Recording Engineer
Madea's Big Happy Family (2011)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Music Recordist / Music Scoring Mixer
Why Did I Get Married Too? (2010)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Music Recording Engineer / Music Scoring Mixer
Sex and the City 2 (2010)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Music Recording Engineer
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Music Recording Engineer
The Last Song (2010)
Directed by: Julie Anne Robinson
Cinematography by: John Lindley
Edited by: Nancy Richardson
Music Mixer / Music Recordist
The Company Men (2010)
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Music Recordist / Music Scoring Mixer, Pro Tools Playback Operator
For Colored Girls (2010)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Music Recording Engineer
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Music Recording Engineer
Powder Blue (2009)
Directed by: Timothy Linh Bui
Cinematography by: Jonathan Sela
Edited by: Leo Trombetta
Music Recording Engineer
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Music Recording Engineer: Additional Score Mixer
My Sister's Keeper (2009)
Directed by: Nick Cassavetes
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Platinum Camera
Additional Score Mixer / Additional Score Recordist
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Additional Score Recording
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Music Scoring Mixer / Music Scoring Recordist
Lake City (2008)
Cinematography by: Robert Gantz
Edited by: Jeffrey Wolf
Music Recording Engineer / Music Scoring Mixer
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Music Scoring Mixer / Score Recordist
Meet the Browns (2008)
Directed by: Tyler Perry
Cinematography by: Sandi Sissel
Edited by: Maysie Hoy
Music Scoring Mixer
Why Did I Get Married? (2007)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Music Score Mixer / Music Score Recordist
The Jane Austen Book Club (2007)
Directed by: Robin Swicord
Cinematography by: John Toon
Edited by: Maryann Brandon
Music Scoring Mixer
Mr. Magorium's Wonder Emporium (2007)
Directed by: Zach Helm
Cinematography by: Roman Osin
Score Mixer / Score Recordist
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Additional Music Engineer / Additional Music Scoring Mixer / Additional Score Recordist
Bridge to Terabithia (2007)
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Music Scoring Mixer
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Additional Score Recordist
Martian Child (2007)
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Music Scoring Mixer
10th & Wolf (2006)
Directed by: Bobby Moresco
Cinematography by: Alex Nepomniaschy
Edited by: Harvey Rosenstock
Music Scoring Mixer
ATL (2006)
Directed by: Chris Robinson
Cinematography by: Karsten Gopinath
Edited by: David Blackburn
Music Scoring Mixer
Step Up (2006)
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Music Scoring Mixer / Music Scoring Recordist
Alpha Dog (2006)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Score Mixer / Score Recordist
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Additional Score Engineering
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Music Score Recordist / Music Scoring Mixer
The Wendell Baker Story (2005)
Cinematography by: Steve Mason
Additional Recording Mixer
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Scoring Mixer
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Engineer: Digital Audio Score
D.E.B.S. (2004)
Directed by: Angela Robinson
Cinematography by: M. David Mullen
Edited by: Angela Robinson
Scoring Mixer
DC 9/11: Time of Crisis (2003)
Directed by: Brian Trenchard-Smith
Cinematography by: Ousama Rawi
Edited by: John Lafferty
Additional Music Engineer
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Score Mixer / Score Recordist
Gone Nutty (2002)
Directed by: Carlos Saldanha
Edited by: Tim Nordquist
Scoring Mixer
The Rats (2002)
Directed by: John Lafia
Cinematography by: David Foreman
Edited by: Michael N. Knue
Additional Music Engineer
Snow Queen (2002)
Directed by: David Wu
Cinematography by: Gregory Middleton
Scoring Mixer
Home Room (2002)
Directed by: Paul F. Ryan
Cinematography by: Rebecca Baehler
Edited by: Paul F. Ryan
Scoring Mixer
The Forsaken (2001)
Directed by: J.S. Cardone
Cinematography by: Steven Bernstein
Edited by: Norman Buckley
Electronic Score Recordist , Pre-record Engineer
The Emperor's New Groove (2000)
Directed by: Mark Dindal
Cinematography by: Thomas Baker
Pre-record Engineer
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Scoring Mixer
G-Saviour (2000)
Directed by: Graeme Campbell
Cinematography by: Joel Ransom
Edited by: Rick Martin
Scoring Mixer
Who Killed Atlanta's Children? (2000)
Directed by: Charles Robert Carner
Cinematography by: Michael Goi
Edited by: Marc Leif
Music Scoring Mixer
Charming Billy (1999)
Directed by: William R. Pace
Cinematography by: William Newell
Pre-record Engineer, Scoring Consultant
My Favorite Martian (1999)
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Music Scoring Mixer
Komodo (1999)
Directed by: Michael Lantieri
Cinematography by: David Burr
Edited by: Michael Fallavollita
Electronic Score Recordist , Pre-record Engineer
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Electronic Score Recordist
The Adventures of Elmo in Grouchland (1999)
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Music Mixer: Electronic Music
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Pre-record Engineer
I'll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Scoring Coordinator
Liar Liar (1997)
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
Synthesizing Mixer
I Know What You Did Last Summer (1997)
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Additional Sound Recording Mixer
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Additional Recording Mixer
Doctor Who (1996)
Directed by: Geoffrey Sax
Cinematography by: Glen MacPherson
Edited by: Patrick Lussier
Music Engineer
Carpool (1996)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Cameras: Panavision Cameras
Additional Recording Mixer
Class of '61 (1993)
Directed by: Gregory Hoblit
Cinematography by: Janusz Kaminski
Edited by: David Rosenbloom
Music Mixer
Sunstroke (1992)
Directed by: James Keach
Cinematography by: Ross A. Maehl
Edited by: Ed Rothkowitz
