Trevor Carroll-Coe

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Three Billboards Outside Ebbing, Missouri | ShotOnWhat?

"b" Camera Second Assistant

Three Billboards Outside Ebbing, Missouri (2017)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Jon Gregory

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

2nd Assistant Camera: "B" Camera

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

Second Assistant Camera: "a" Camera, Additional Photography

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

American Sniper | ShotOnWhat?

Second Assistant Camera: "b" Camera

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Lost River | ShotOnWhat?

Second Assistant

Lost River (2014)

Directed by: Ryan Gosling

Cinematography by: Benoît Debie

Edited by: Nico Leunen, Valdís Óskarsdóttir

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Transformers: Age of Extinction | ShotOnWhat?

Additional Second Assistant Camera

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Into the Storm | ShotOnWhat?

Second Assistant Camera: "b" Camera

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Avengers | ShotOnWhat?

Camera Loader

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Seven Psychopaths | ShotOnWhat?

Camera Loader

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Trouble with the Curve | ShotOnWhat?

Film Loader

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Real Steel | ShotOnWhat?

Digital Loader

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

J. Edgar | ShotOnWhat?

Camera Loader

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Flipped | ShotOnWhat?

Loader

Flipped (2010)

Directed by: Rob Reiner

Cinematography by: Thomas Del Ruth

Edited by: Robert Leighton

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Classic Spherical Lenses

Trust | ShotOnWhat?

Second Assistant Camera: "b" Camera

Trust (2010)

Directed by: David Schwimmer

Cinematography by: Andrzej Sekula

Edited by: Douglas Crise

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hereafter | ShotOnWhat?

Camera Loader: San Francisco

Hereafter (2010)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Invictus | ShotOnWhat?

Camera Loader

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Soloist | ShotOnWhat?

Film Loader

The Soloist (2009)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Stop-Loss | ShotOnWhat?

Film Loader

Stop-Loss (2008)

Directed by: Kimberly Peirce

Cinematography by: Chris Menges

Edited by: Claire Simpson

Changeling | ShotOnWhat?

Film Loader

Changeling (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Gran Torino | ShotOnWhat?

Film Loader

Gran Torino (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Rails & Ties | ShotOnWhat?

Film Loader

Rails & Ties (2007)

Directed by: Alison Eastwood

Cinematography by: Tom Stern

Edited by: Gary Roach

Flags of Our Fathers | ShotOnWhat?

Camera Loader

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Letters from Iwo Jima | ShotOnWhat?

Film Loader

Letters from Iwo Jima (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Dukes of Hazzard | ShotOnWhat?

Film Loader

The Dukes of Hazzard (2005)

Directed by: Jay Chandrasekhar

Cinematography by: Lawrence Sher

Edited by: Jay Chandrasekhar, Lee Haxall, Myron Kerstein

Mr 3000 | ShotOnWhat?

Second Assistant Camera: "c" Camera

Mr 3000 (2004)

Directed by: Charles Stone III

Cinematography by: Shane Hurlbut

Edited by: Bill Pankow

50 First Dates | ShotOnWhat?

Film Loader: Second Unit

50 First Dates (2004)

Directed by: Peter Segal

Cinematography by: Jack N. Green

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Million Dollar Baby | ShotOnWhat?

Camera Loader

Million Dollar Baby (2004)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Against the Ropes | ShotOnWhat?

Film Loader: Cleveland

Against the Ropes (2004)

Directed by: Charles S. Dutton

Cinematography by: Jack N. Green

Edited by: Eric L. Beason

Cameras: Panavision Cameras

Lenses: Panavision Lenses

8 Mile | ShotOnWhat?

Film Loader

8 Mile (2002)

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

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