Michele C. Vallillo

34 Titles

Is this you? Add a Profile

Black Panther: Wakanda Forever | ShotOnWhat?

Vfx Executive Producer: Mammal Studios

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

1883 | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios - 6 Episodes, 2021-2022

1883 (2021)

TV Mini Series

Directed by: Ben Richardson, Christina Alexandra Voros, Taylor Sheridan

Cinematography by: Ben Richardson, Christina Alexandra Voros

Edited by: Chad Galster, Nathan Gunn, Brooke Rupe, Martin Nicholson, John Coniglio, Christopher Gay, Ryan Malanaphy

Promising Young Woman | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

Promising Young Woman (2020)

Directed by: Emerald Fennell

Cinematography by: Benjamin Kracun

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision G Series Anamorphic Lenses

Terminator: Dark Fate | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Bad Times at the El Royale | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

Bad Times at the El Royale (2018)

Directed by: Drew Goddard

Cinematography by: Seamus McGarvey

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Black Panther | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Bird Box | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

Bird Box (2018)

Directed by: Susanne Bier

Cinematography by: Salvatore Totino

Edited by: Ben Lester

Cameras: Red Helium (Weapon) 8K

Lenses: Zeiss Master Prime Lenses

Bright | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Suicide Squad | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The 5th Wave | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Joy | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

Joy (2015)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

The Interview | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

The Interview (2014)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Fury | ShotOnWhat?

Visual Effects Executive Producer: Mammal Studios

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Magic Mike | ShotOnWhat?

Visual Effects Producer: Method Studios Los Angeles

Magic Mike (2012)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Argo | ShotOnWhat?

Visual Effects: Method Studios

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Green Hornet | ShotOnWhat?

Visual Effects Producer: CIS Hollywood

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Abduction | ShotOnWhat?

Visual Effects Producer: Method Studios

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Thin Ice | ShotOnWhat?

Visual Effects Producer: CIS Hollywood

Thin Ice (2011)

Directed by: Jill Sprecher

Cinematography by: Dick Pope

Edited by: Lee Percy

New Year's Eve | ShotOnWhat?

Visual Effects Producer: Method Studios

New Year's Eve (2011)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Michael Tronick

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Ides of March | ShotOnWhat?

Visual Effects Producer: Method Studios

The Ides of March (2011)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Contagion | ShotOnWhat?

Visual Effects Producer: Method Studios

Contagion (2011)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Sex and the City 2 | ShotOnWhat?

Visual Effects Producer: CIS Hollywood

Sex and the City 2 (2010)

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Twilight Saga: Eclipse | ShotOnWhat?

Visual Effects Producer: CIS Hollywood

The Twilight Saga: Eclipse (2010)

Directed by: David Slade

Cinematography by: Javier Aguirresarobe

Edited by: Art Jones, Nancy Richardson

Cameras: Panavision Cameras

Scooby-Doo | ShotOnWhat?

Visual Effects Producer: Rhythm & Hues

Scooby-Doo (2002)

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Little Nicky | ShotOnWhat?

Visual Effects Producer: Rhythm & Hues

Little Nicky (2000)

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Mystery Men | ShotOnWhat?

Visual Effects Producer: Rhythm & Hues

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Virus | ShotOnWhat?

Visual Effects Producer

Virus (1999)

Directed by: John Bruno

Cinematography by: David Eggby

Edited by: M. Scott Smith

Dante's Peak | ShotOnWhat?

Visual Effects Associate Producer

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

French Kiss | ShotOnWhat?

Visual Effects Associate Producer: Cinesite

French Kiss (1995)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Camera

Lenses: Panavision E Series Anamorphic Lenses

Under Siege 2: Dark Territory | ShotOnWhat?

Visual Effects Associate Producer: Cinesite

Under Siege 2: Dark Territory (1995)

Directed by: Geoff Murphy

Cinematography by: Robbie Greenberg

Edited by: Michael Tronick

True Lies | ShotOnWhat?

Visual Effects Coordinator: Cinesite

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

In the Line of Fire | ShotOnWhat?

Visual Effects Coordinator: Cinesite

In the Line of Fire (1993)

Directed by: Wolfgang Petersen

Cinematography by: John Bailey

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision Primo Anamorphic Lenses

Coneheads | ShotOnWhat?

Visual Effects Coordinator: Cinesite

Coneheads (1993)

Directed by: Steve Barron

Cinematography by: Francis Kenny

Edited by: Paul Trejo

Cliffhanger | ShotOnWhat?

Visual Effects Coordinator: Cinesite

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

©2012 - 2025 ShotOnWhat?

20254.20