Re-recording Mixer
Jin ling shi san chai (2011)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Peicong Meng
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Sound Supervisor & Re-recording Mixer
Don't Be Afraid of the Dark (2010)
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Re-recording Mixer
Mao's Last Dancer (2009)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Re-recording Mixer
The Forbidden Kingdom (2008)
Directed by: Rob Minkoff
Cinematography by: Peter Pau
Edited by: Eric Strand
Cameras: Panavision Genesis Camera
Re-recording Mixer
No Reservations (2007)
Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel
Sound Mixer
Aquamarine (2006)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Brian J. Breheny
Edited by: Jane Moran
Cameras: Panavision Cameras
Re-recording Mixer / Sound Supervisor
Man cheng jin dai huang jin jia (2006)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Re-recording Mixer / Sound Supervisor
Wu ji (2005)
Directed by: Kaige Chen
Cinematography by: Peter Pau
Re-recording Mixer / Sound Mixer / Sound Supervisor
House of Flying Daggers (2004)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Lenses: Cooke Lenses, Zeiss Lenses
Sound Mixer
The Libertine (2004)
Directed by: Laurence Dunmore
Cinematography by: Alexander Melman
Edited by: Jill Bilcock
Re-recording Mixer / Supervising Sound Editor
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
Re-recording Mixer
The Quiet American (2002)
Directed by: Phillip Noyce
Cinematography by: Christopher Doyle
Edited by: John Scott
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Re-recording Mixer: Australia / Sound Supervisor
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Re-recording Mixer / Sound Supervisor
Hearts in Atlantis (2001)
Directed by: Scott Hicks
Cinematography by: Piotr Sobocinski
Edited by: Pip Karmel
Sound Mixer
Lantana (2001)
Directed by: Ray Lawrence
Cinematography by: Mandy Walker
Edited by: Karl Sodersten
Sound Mixer
The Dish (2000)
Directed by: Rob Sitch
Cinematography by: Graeme Wood
Edited by: Jill Bilcock
Sound Post-production
Strange Planet (1999)
Directed by: Emma-Kate Croghan
Cinematography by: Justin Brickle
Edited by: Ken Sallows
Sound Mixer
Holy Smoke (1999)
Directed by: Jane Campion
Cinematography by: Dion Beebe
Edited by: Veronika Jenet
Sound Mixer: Soundfirm Austraalia
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Re-recording Mixer / Sound Supervisor
Dark City (1998)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cameras: Panavision Panaflex Gold II Camera
Sound Mixer: Australia
Tidal Wave: No Escape (1997)
Directed by: George Miller
Cinematography by: Mark Irwin
Edited by: Corky Ehlers
Sound Mixer
Police Story 4: First Strike (1996)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Foley Mixer
Fei hu (1996)
Directed by: Gordon Chan
Cinematography by: Wing-Hang Wong
Edited by: Ki-Hop Chan
Re-recording Mixer: Skywalker Sound
Romeo + Juliet (1996)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Re-recording Mixer
Shine (1996)
Directed by: Scott Hicks
Cinematography by: Geoffrey Simpson
Edited by: Pip Karmel
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Post-production Sound Mixer
Babe (1995)
Directed by: Chris Noonan
Cinematography by: Andrew Lesnie
Cameras: Panavision Cameras
Sound Mixer
Rumble in the Bronx (1995)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Edited by: Peter Cheung
Sound Mixer
Dead Calm (1989)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: Richard Francis-Bruce
Music Mixer: Australia, Sound Supervisor: Australia
Crocodile Dundee (1986)
Directed by: Peter Faiman
Cinematography by: Russell Boyd
Edited by: David Stiven
Mixer
The Quest (1985)
Directed by: Brian Trenchard-Smith
Cinematography by: John R. McLean
Edited by: Brian Kavanagh
Music Engineer
Turkey Shoot (1982)
Directed by: Brian Trenchard-Smith
Cinematography by: John R. McLean
Edited by: Alan Lake
Post-production Sound: A.A.V. Australia
Mad Max (1979)
Directed by: George Miller
Cinematography by: David Eggby
Cameras: ARRIFLEX 35 BL Camera
Lenses: Todd-AO Lenses
