Senior Texture Artist: Weta FX
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Senior Texture Artist
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Senior Texture Artist
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Lead Texture Artist / Visual Effects Artist
A Monster Calls (2016)
Directed by: J.A. Bayona
Cinematography by: Oscar Faura
Cameras: ARRI ALEXA XT Camera
Senior Paint Artist
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Senior Paint Artist
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Senior Paint Artist
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Senior Texture Artist
The Hobbit: The Desolation of Smaug (2013)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Senior Texture Artist
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Digital Effects Crew: Weta Digital
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Senior Texture Artist
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Senior Texture Artist: WETA Digital
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Senior Texture Artist
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Senior Texture Artist: Weta Digital
Rise of the Planet of the Apes (2011)
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Senior Texture Artist
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Senior Texture Artist
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Senior Texture Artist: Weta Digital
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Texture Artist
'The Color of Magic' Part 1: The Colour of Magic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Texture Artist / Texture Artist: Mac Guff - 2 Episodes, 2008
The Color of Magic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Cameras: ARRIFLEX D-21 Camera
Senior Texture Artist
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Texture Artist: Mac Guff
'The Color of Magic' Part 2: The Light Fantastic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Lead Texture Artist: MPC
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Digital Artist
Les chevaliers du ciel (2005)
Directed by: Gérard Pirès
Cinematography by: Pascal Lebègue
Edited by: Véronique Lange
Lenses: Angenieux Optimo Zoom Lenses
Digital Artist
Saint-Jacques... La Mecque (2005)
Directed by: Coline Serreau
Cinematography by: Jean-François Robin
Edited by: Catherine Renault
Digital Artist
Immortal (2004)
Directed by: Enki Bilal
Cinematography by: Pascal Gennesseaux
Edited by: Véronique Parnet
Digital Artist
Double zéro (2004)
Directed by: Gérard Pirès
Cinematography by: Denis Rouden
Edited by: Véronique Lange
Digital Artist
Vidocq (2001)
Directed by: Pitof
Edited by: Thierry Hoss
Cameras: Sony Cameras, Sony HDW-F900 Camera
Digital Artist
Asterix and Obelix vs. Caesar (1999)
Directed by: Claude Zidi
Cinematography by: Tony Pierce-Roberts
Cameras: Panavision Cameras
