Mark Funnell

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The Batman | ShotOnWhat?

Rigging Electrician

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Christopher Robin | ShotOnWhat?

Rigging Electrician

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Rush | ShotOnWhat?

Electrician: Daily Crew

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Hyde Park on Hudson | ShotOnWhat?

Second Unit Gaffer

Hyde Park on Hudson (2012)

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

The Dark Knight Rises | ShotOnWhat?

Rigging Charge Hand

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Electrician

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

One Day | ShotOnWhat?

Electrician: Second Unit, Scotland

One Day (2011)

Directed by: Lone Scherfig

Cinematography by: Benoît Delhomme

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Contagion | ShotOnWhat?

Best Boy Spark

Contagion (2011)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Green Zone | ShotOnWhat?

Best Boy

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Clash of the Titans | ShotOnWhat?

Electrician

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Nanny McPhee Returns | ShotOnWhat?

Best Boy

Nanny McPhee Returns (2010)

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

The Young Victoria | ShotOnWhat?

Best Boy

The Young Victoria (2009)

Directed by: Jean-Marc Vallée

Cinematography by: Hagen Bogdanski

Edited by: Jill Bilcock, Matt Garner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Elizabeth: The Golden Age | ShotOnWhat?

Best Boy

Elizabeth: The Golden Age (2007)

Directed by: Shekhar Kapur

Cinematography by: Remi Adefarasin

Edited by: Jill Bilcock

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Fred Claus | ShotOnWhat?

Best Boy

Fred Claus (2007)

Directed by: David Dobkin

Cinematography by: Remi Adefarasin

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

The Magic Flute | ShotOnWhat?

Electrician

The Magic Flute (2006)

Directed by: Kenneth Branagh

Cinematography by: Roger Lanser

Edited by: Michael Parker

Amazing Grace | ShotOnWhat?

Best Boy

Amazing Grace (2006)

Directed by: Michael Apted

Cinematography by: Remi Adefarasin

Edited by: Rick Shaine

Cameras: ARRI Cameras

Alex Rider: Operation Stormbreaker | ShotOnWhat?

Electrician

Alex Rider: Operation Stormbreaker (2006)

Directed by: Geoffrey Sax

Cinematography by: Chris Seager

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses

V for Vendetta | ShotOnWhat?

Lighting Chargehand

V for Vendetta (2005)

Directed by: James McTeigue

Cinematography by: Adrian Biddle

Edited by: Martin Walsh

Match Point | ShotOnWhat?

Best Boy Electric

Match Point (2005)

Directed by: Woody Allen

Cinematography by: Remi Adefarasin

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Johnny English | ShotOnWhat?

Electrician

Johnny English (2003)

Directed by: Peter Howitt

Cinematography by: Remi Adefarasin

Edited by: Robin Sales

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Editing System: Lightworks Editing System

Unconditional Love | ShotOnWhat?

Electrician

Unconditional Love (2002)

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

Arabian Nights | ShotOnWhat?

Electrician - 2 Episodes, 2000

Arabian Nights (2000)

Directed by: Steve Barron

Cinematography by: Remi Adefarasin

Edited by: David Yardley

"Arabian Nights" Episode #1.1 | ShotOnWhat?

Electrician

'Arabian Nights' Episode #1.1 (2000)

Television Episode

Directed by: Steve Barron

Cinematography by: Remi Adefarasin

Edited by: David Yardley

"Arabian Nights" Episode #1.2 | ShotOnWhat?

Electrician

'Arabian Nights' Episode #1.2 (2000)

Television Episode

Directed by: Steve Barron

Cinematography by: Remi Adefarasin

Edited by: David Yardley

Hotel Paradise | ShotOnWhat?

Electrician

Hotel Paradise (1995)

Directed by: Nicolas Roeg

Cinematography by: Witold Stok

Edited by: Tony Palmer

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