Peter Kohn

33 Titles

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The Banshees of Inisherin | ShotOnWhat?

Associate Producer, First Assistant Director

The Banshees of Inisherin (2022)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Mikkel E.G. Nielsen

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

Three Billboards Outside Ebbing, Missouri | ShotOnWhat?

First Assistant Director

Three Billboards Outside Ebbing, Missouri (2017)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Jon Gregory

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Greatest Showman | ShotOnWhat?

Co-producer, First Assistant Director

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

La La Land | ShotOnWhat?

First Assistant Director

La La Land (2016)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Fifty Shades of Grey | ShotOnWhat?

First Assistant Director

Fifty Shades of Grey (2015)

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Birdman or (The Unexpected Virtue of Ignorance) | ShotOnWhat?

First Assistant Director

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Seven Psychopaths | ShotOnWhat?

First Assistant Director

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Hitchcock | ShotOnWhat?

Associate Producer, First Assistant Director

Hitchcock (2012)

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

First Assistant Director

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Rum Diary | ShotOnWhat?

Co-producer, First Assistant Director

The Rum Diary (2011)

Directed by: Bruce Robinson

Cinematography by: Dariusz Wolski

Edited by: Carol Littleton

Cameras: ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Ultra Prime Lenses

Body of Lies | ShotOnWhat?

First Assistant Director

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Blades of Glory | ShotOnWhat?

Associate Producer, First Assistant Director

Blades of Glory (2007)

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Pirates of the Caribbean: At World's End | ShotOnWhat?

Additional First Assistant Director, Associate Producer

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Rendition | ShotOnWhat?

First Assistant Director

Rendition (2007)

Directed by: Gavin Hood

Cinematography by: Dion Beebe

Edited by: Megan Gill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

First Assistant Director

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Manchurian Candidate | ShotOnWhat?

Associate Producer, First Assistant Director

The Manchurian Candidate (2004)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Carol Littleton, Craig McKay

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

First Assistant Director

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Truth About Charlie | ShotOnWhat?

Second Unit Director

The Truth About Charlie (2002)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Carol Littleton, Suzanne Spangler

K-PAX | ShotOnWhat?

First Assistant Director

K-PAX (2001)

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

The Next Best Thing | ShotOnWhat?

First Assistant Director

The Next Best Thing (2000)

Directed by: John Schlesinger

Cinematography by: Elliot Davis

Edited by: Peter Honess

Beloved | ShotOnWhat?

First Assistant Director

Beloved (1998)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Andy Keir, Carol Littleton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Devil's Own | ShotOnWhat?

First Assistant Director

The Devil's Own (1997)

Directed by: Alan J. Pakula

Cinematography by: Gordon Willis

Edited by: Tom Rolf, Dennis Virkler

Air Force One | ShotOnWhat?

Associate Producer, First Assistant Director

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

Outbreak | ShotOnWhat?

First Assistant Director

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

In the Line of Fire | ShotOnWhat?

First Assistant Director

In the Line of Fire (1993)

Directed by: Wolfgang Petersen

Cinematography by: John Bailey

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision Primo Anamorphic Lenses

The Pelican Brief | ShotOnWhat?

First Assistant Director

The Pelican Brief (1993)

Directed by: Alan J. Pakula

Cinematography by: Stephen Goldblatt

Edited by: Tom Rolf, Trudy Ship

Cameras: Moviecam Compact Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Shattered | ShotOnWhat?

First Assistant Director

Shattered (1991)

Directed by: Wolfgang Petersen

Cinematography by: László Kovács

Edited by: Glenn Farr, Hannes Nikel

Shanghai Surprise | ShotOnWhat?

Production Manager

Shanghai Surprise (1986)

Directed by: Jim Goddard

Cinematography by: Ernest Vincze

Edited by: Ralph Sheldon

Pink Floyd The Wall | ShotOnWhat?

Unit Manager

Pink Floyd: The Wall (1982)

Directed by: Alan Parker

Cinematography by: Peter Biziou

Edited by: Gerry Hambling

Victor Victoria | ShotOnWhat?

Second Assistant Director

Victor Victoria (1982)

Directed by: Blake Edwards

Cinematography by: Dick Bush

Edited by: Ralph E. Winters

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Lenses

The French Lieutenant's Woman | ShotOnWhat?

Second Assistant Director

The French Lieutenant's Woman (1981)

Directed by: Karel Reisz

Cinematography by: Freddie Francis

Edited by: John Bloom

Cameras: Panavision Cameras

Bad Timing | ShotOnWhat?

Second Assistant Director

Bad Timing (1980)

Directed by: Nicolas Roeg

Cinematography by: Anthony B. Richmond

Edited by: Tony Lawson

Cameras: Technovision Cameras

Lenses: Technovision Lenses

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Production Assistant

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

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