Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893.
Cooke S4 Lenses | 317 Titles
Phone: +1 (0)116 264 0700 UK / +1 973 335 4460 USA
Contact: Alison Green
Specs
Introduced: 1998
Cooke S4, T2.0 Primes became S4/i lenses in 2005 when Cooke /i Technology for metadata capture was incorporated from that date forward. Cooke S4 and S4/i lenses are visually the same. The only change is the upgrade to allow digital connectivity for recording metadata frame-by-frame. See list of /i Technology Partners at cookeoptics.com for compatible products saving you time and money during production through post. Note: lens image shown is S4/i lens with /i Technology connector near base.
Death Race 2 (2010)
Directed by | Roel Reiné | Cinematography by | John Mckay, Roel Reiné | Editing by | Radu Ion, Herman P. Koerts
Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Real Steel (2011)
Directed by | Shawn Levy | Cinematography by | Mauro Fiore | Editing by | Dean Zimmerman
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Finding Neverland (2004)
Piranha 3D (2010)
Directed by | Alexandre Aja | Cinematography by | John R. Leonetti | Editing by | Baxter
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Rust and Bone (2012)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Red Epic Camera
Hanna (2011)
Directed by | Joe Wright | Cinematography by | Alwin H. Küchler | Editing by | Paul Tothill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by | David Yates | Cinematography by | Eduardo Serra | Editing by | Mark Day
Lenses | Cooke S4 Lenses
Taking Woodstock (2009)
Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
My Week with Marilyn (2011)
Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Adam Recht
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Dark Shadows (2012)
Directed by | Tim Burton | Cinematography by | Bruno Delbonnel | Editing by | Chris Lebenzon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Knowing (2009)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | Richard Learoyd
Cameras | Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Elite Squad: The Enemy Within (2010)
Directed by | José Padilha | Cinematography by | Lula Carvalho | Editing by | Daniel Rezende
Cameras | Aaton Penelope Camera
Lenses | Cooke S4 Lenses
Jarhead (2005)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Walter Murch
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera
Lenses | Cooke S4 Lenses
Prom (2011)
Directed by | Joe Nussbaum | Cinematography by | Byron Shah | Editing by | Jeffrey M. Werner
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Valkyrie (2008)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Angela’s Ashes (1999)
Directed by | Alan Parker | Cinematography by | Chris Connier, Michael Seresin | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Cyprien (2009)
Directed by | David Charhon | Cinematography by | Antoine Roch | Editing by | Sophie Reine
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Maria Full of Grace (2004)
Directed by | Joshua Marston | Cinematography by | Jim Denault | Editing by | Anne McCabe, Lee Percy
Lenses | Cooke S4 Lenses
