Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893.
Cooke S4 Lenses | 317 Titles
Phone: +1 (0)116 264 0700 UK / +1 973 335 4460 USA
Contact: Alison Green
Specs
Introduced: 1998
Cooke S4, T2.0 Primes became S4/i lenses in 2005 when Cooke /i Technology for metadata capture was incorporated from that date forward. Cooke S4 and S4/i lenses are visually the same. The only change is the upgrade to allow digital connectivity for recording metadata frame-by-frame. See list of /i Technology Partners at cookeoptics.com for compatible products saving you time and money during production through post. Note: lens image shown is S4/i lens with /i Technology connector near base.
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
U-571 (2000)
Directed by | Jonathan Mostow | Cinematography by | Oliver Wood | Editing by | Wayne Wahrman
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Cooke S4 Lenses, Nikon - Nikkor Lenses
2 Fast 2 Furious (2003)
Directed by | John Singleton | Cinematography by | Matthew F. Leonetti | Editing by | Bruce Cannon, Dallas Puett
Lenses | Cooke S4 Lenses
The Piano Teacher (2001)
Directed by | Michael Haneke | Cinematography by | Christian Berger | Editing by | Nadine Muse, Monika Willi
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
Tamara Drewe (2010)
Directed by | Stephen Frears | Cinematography by | Ben Davis | Editing by | Mick Audsley
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Heir Apparent: Largo Winch (2008)
Mr. Bean’s Holiday (2007)
Directed by | Steve Bendelack | Cinematography by | Baz Irvine | Editing by | Tony Cranstoun
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Æon Flux (2005)
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
Hairspray (2007)
Directed by | Adam Shankman | Cinematography by | Bojan Bazelli | Editing by | Michael Tronick
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses
Cinderella Man (2005)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
My Brother the Devil (2012)
Directed by | Sally El Hosaini | Cinematography by | David Raedeker | Editing by | Iain Kitching
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Young Adult (2011)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Bachelorette (2012)
Directed by | Leslye Headland | Cinematography by | Doug Emmett | Editing by | Jeffrey Wolf
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Couples Retreat (2009)
Directed by | Peter Billingsley | Cinematography by | Eric Alan Edwards | Editing by | Dan Lebental
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Amour (2012)
Directed by | Michael Haneke | Cinematography by | Darius Khondji | Editing by | Nadine Muse, Monika Willi
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Alatriste (2006)
Directed by | Agustín Díaz Yanes | Cinematography by | Paco Femenia | Editing by | José Salcedo
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Frost/Nixon (2008)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
Don’t Be Afraid of the Dark (2010)
Directed by | Troy Nixey | Cinematography by | Oliver Stapleton | Editing by | Jill Bilcock
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Savages (2007)
Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
Men of Honor (2000)
Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt
Lenses | Cooke S4 Lenses
