Canon Lenses | 183 Titles
Missing Girl (2017)
Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Sigma Lenses
God Wears My Underwear (2005)
Directed by | Leslie Streit | Cinematography by | Adam Streit | Editing by | Adam Streit
Cameras | Canon XL1 Camera
Lenses | Canon Lenses
Netherwood (2011)
Directed by | Cristobal Araus Lobos | Editing by | Cristobal Araus Lobos
Cameras | Canon EOS-7D Camera
Eye Candy (2015)
| Cinematography by | David Daniel, Elliot Davis | Editing by | Edward R. Abroms, Imelda Betiong, Peter Gvozdas, Geoffrey O'Brien, Gregory Cusumano, Mark Manos, Terel Gibson
Cameras | Canon EOS-C300 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
Everybody Happy (2016)
Directed by | Nic Balthazar | Cinematography by | Robrecht Heyvaert | Editing by | Philippe Ravoet
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, ARRI AMIRA Camera, Blackmagic Pocket Cinema Camera
Lenses | ARRI Lenses, Canon Lenses
Red Riding Hood (2006)
Directed by | Randal Kleiser | Cinematography by | David Stump | Editing by | Harry Hitner
Cameras | Thomson Viper Camera
Lenses | Canon Lenses
Honey I Blew Up the Kid (1992)
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson
Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
Project X (2012)
Directed by | Nima Nourizadeh | Cinematography by | Ken Seng | Editing by | Jeff Groth
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses | Canon Lenses
Super Power Beat Down (2012)
| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy
Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera
The Grand Tour (2016)
| Cinematography by | Ben Joiner, Steve Lidgerwood | Editing by | Chris Denton, James Hart, Dan James, Adam Hutchings, Steve Flatt, Stephen Bainbridge, Chris Denton, Tom Rich, Mark Roverts
Lenses | ARRI / Fujinon Lenses, Canon Lenses
Altered Carbon (2018)
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
Sad Hill Unearthed (2017)
Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch
Cameras | Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
El Último Suspiro (2017)
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo
Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leitz Lenses
A Different Set of Cards (2016)
Directed by | Falko Jakobs | Cinematography by | Falko Jakobs, Raoul Schmitz | Editing by | Falko Jakobs
Cameras | Canon EOS-C100 Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens
Più accecante della notte (2016)
Directed by | Diego Bonuccelli | Cinematography by | Diego Bonuccelli, Katia Cirrincione | Editing by | Diego Bonuccelli
Cameras | Canon Cameras, Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, GoPro HERO4 Black
Lenses | Canon EF Series Lenses, Canon Lenses
Manchester by the Sea (2016)
Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Lenses, Canon K35 Prime Lenses
Raymond’s 5 (2017)
Directed by | James Hastings | Cinematography by | Francis Cousins
Cameras | Red Raven Camera
Lenses | Canon Lenses
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Epen Cupen the Movie (2015)
The Box (2018)
Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart
Cameras | Canon EOS-7D Camera, Sony α7S Camera
