Angenieux Optimo Zoom Lenses | 645 Titles
Hitchcock (2012)
Directed by | Sacha Gervasi | Cinematography by | Jeff Cronenweth | Editing by | Pamela Martin
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Prom Night (2008)
Boardwalk Empire (2010)
| Cinematography by | William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier | Editing by | Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Bounty Hunter (2010)
Dinner for Schmucks (2010)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten, Jon Poll
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Taken 2 (2012)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre, Vincent Tabaillon
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras
The Twilight Saga: Breaking Dawn – Part 2 (2012)
Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz, Ian Slater
Jack and Jill (2011)
Directed by | Dennis Dugan | Cinematography by | Dean Cundey | Editing by | Tom Costain
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Celeste & Jesse Forever (2012)
Directed by | Lee Toland Krieger | Cinematography by | David Lanzenberg | Editing by | Yana Gorskaya
Cameras | ARRI ALEXA Camera
Broken City (2013)
Directed by | Allen Hughes | Cinematography by | Ben Seresin | Editing by | Cindy Mollo
Cameras | ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Life of Pi (2012)
Directed by | Ang Lee | Cinematography by | Claudio Miranda | Editing by | Tim Squyres
Cameras | ARRI ALEXA Camera
Chronicle (2012)
Directed by | Josh Trank | Cinematography by | Matthew Jensen | Editing by | Elliot Greenberg
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
The Ring (2002)
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Faut que ça danse! (2007)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Emmanuelle Castro
Cameras | ARRIFLEX 535 B Camera
Glorious 39 (2009)
Directed by | Stephen Poliakoff | Cinematography by | Danny Cohen | Editing by | Jason Krasucki
Cameras | ARRICAM Lite (LT) Camera
Crooked Arrows (2012)
Directed by | Steve Rash | Cinematography by | Dan Stoloff | Editing by | Bart Rachmil, Danny Saphire
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
The Dilemma (2011)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The New Daughter (2009)
Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan
