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Zeiss | 843 Titles

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Mindhunter (2017)

Television Series | 2D | 6K Project | Color | 2.20:1 | 60 Minutes

| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Starring | Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross

Cameras | Red Xenomorph Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

The Perfect Host (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 93 Minutes

Directed by | Nick Tomnay | Cinematography by | John Brawley | Editing by | Nick Tomnay

Starring | David Hyde Pierce, Clayne Crawford, Nathaniel Parker, Tyrees Allen

Cameras | Red One Camera

Lenses | Zeiss Ultra Prime Lenses

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Vice (2018)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin

Starring | Christian Bale, Amy Adams, Steve Carell, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Cloud Atlas (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 172 Minutes

Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch

Starring | Tom Hanks, Halle Berry, Hugh Grant, Hugo Weaving

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Ties (2018)

Short Film | 2D | Color | 13 Minutes

Directed by | Laura Stabilini | Cinematography by | Paul Cameron | Editing by | Pieter Viljoen

Starring | Bobby Gene, James Hal Hardy, Nico Pressley, Jonathan Thornsbury

Black Wedding (2015)

Motion Picture | 2D | Film Project | Color | 1.36:1 | 70 Minutes

Directed by | Thomas Bohn | Cinematography by | Frank Glencairn

Starring | Mersiha Husagic, Beate Maes, Diego Wallraff

Cameras | Blackmagic Cinema Camera

Lenses | Zeiss Lenses

Til the End of the Day (2011)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 27 Minutes

Directed by | Callen Diederichs | Cinematography by | Alain Astruc | Editing by | Jean-Sebastien Gauthier

Starring | Keegan Bush, Jordan Delorme, Callen Diederichs, Jean-Sebastien Gauthier

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Zeiss Lenses

Gomorrah (2008)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini

Starring | Gianfelice Imparato, Salvatore Abbruzzese, Toni Servillo, Simone Sacchettino

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Ultra Prime Lenses

The Window (2008)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid

Starring | Antonio Larreta, María del Carmen Jiménez, Emilse Roldán, Roberto Rovira

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

The Curious Case of Benjamin Button (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 166 Minutes

Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall

Starring | Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

War for the Planet of the Apes (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

The Girl in the Spider’s Web (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegel

Starring | Claire Foy, Beau Gadsdon, Sverrir Gudnason, LaKeith Stanfield

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

The Expendables (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Resident (2018)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | John Brawley, Hilda Mercado, Elliot Davis | Editing by | Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon

Starring | Matt Czuchry, Emily VanCamp, Manish Dayal, Shaunette Renée Wilson

Cameras | ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera

Lenses | Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses

The Fast and the Furious (2001)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess

Starring | Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

The Cable Guy (1996)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg

Starring | Jim Carrey, Matthew Broderick, Leslie Mann, Jack Black

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

Dark (2017)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Starring | Karoline Eichhorn, Louis Hofmann, Jördis Triebel, Maja Schöne

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Lenses

The Vampire Diaries (2009)

Television Series | 2D | Color | 43 Minutes

The Vampire Diaries | ShotOnWhat?

| Cinematography by | Paul M. Sommers, Dave Perkal, Darren Genet, Michael Karasick, Star Barry, Ramsey Nickell, Michael Negrin, John Peters | Editing by | Tony Solomons, Lance Anderson, Marc Pollon, Glenn Garland, Brian Wessel, Tyler L. Cook, Nathan Easterling, Sean Albertson, Joel T. Pashby, Evan J. Warner, Shawn Paper, Nicholas Erasmus, Nancy Forner, Lisa Willinger, Joshua Butler, Michael Ruscio, Sunny Hodge, Michael H. Friedlander, Jacques Gravett, Peter Basinski, Erik Presant, Kyle Keris

Starring | Nina Dobrev, Paul Wesley, Ian Somerhalder, Kat Graham

Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses | Zeiss Master Prime Lenses

Tailgate (2015)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 83 Minutes

Directed by | Jai Hogg | Cinematography by | Mark Broadbent | Editing by | Joe Lancaster

Starring | Sam Young, Peter Marshall, Damian Smith, Tony Hodgson

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera

Lenses | Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 28mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens

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