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Zeiss | 843 Titles

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L’écume des jours (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 94 Minutes

Directed by | Michel Gondry | Cinematography by | Christophe Beaucarne | Editing by | Marie-Charlotte Moreau

Starring | Romain Duris, Audrey Tautou, Gad Elmaleh, Omar Sy

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Cloclo (2012)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

Directed by | Florent-Emilio Siri | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Olivier Gajan

Starring | Jérémie Renier, Benoît Magimel, Monica Scattini, Sabrina Seyvecou

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fargo (1996)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | William H. Macy, Frances McDormand, Steve Buscemi, Peter Stormare

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Standard Speed Prime Lenses

St. Vincent (2014)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Theodore Melfi | Cinematography by | John Lindley | Editing by | Sarah Flack, Peter Teschner

Starring | Bill Murray, Melissa McCarthy, Naomi Watts, Jaeden Martell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 119 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Douglas Crise, Stephen Mirrione

Starring | Michael Keaton, Zach Galifianakis, Edward Norton, Andrea Riseborough

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses | Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Exodus: Gods and Kings (2014)

Motion Picture | 3D | Color | 150 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich

Starring | Christian Bale, Joel Edgerton, Ben Kingsley, Sigourney Weaver

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Fuga de cerebros 2 (2011)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Verónica Callón

Starring | Adrián Lastra, Alberto Amarilla, Hannah New, David Hasselhoff

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Compact Prime Lenses

Léon: The Professional (1994)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra

Starring | Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HR Zoom Lenses, Technovision Lenses

All About E (2015)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Louise Wadley | Cinematography by | Justine Kerrigan | Editing by | Rowena Crowe

Starring | Mandahla Rose, Brett Rogers, Julia Billington, Simon Bolton

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Ultra Prime Lenses

3 Days to Kill (2014)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | McG | Cinematography by | Thierry Arbogast | Editing by | Audrey Simonaud

Starring | Kevin Costner, Hailee Steinfeld, Connie Nielsen, Amber Heard

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Technovision Lenses, Zeiss Super Speed Lenses

Xi you ji: Da nao tian gong (2014)

Motion Picture | 3D | Color | 2.39:1 | 90 Minutes

Directed by | Soi Cheang | Cinematography by | Man Po Cheung, Tao Yang | Editing by | Ka-Fai Cheung

Starring | Donnie Yen, Yun-Fat Chow, Aaron Kwok, Yitian Hai

Cameras | Red One MX Camera

Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Zeiss Master Prime Lenses

Body Language (2014)

Short Film | 2D | Color | 11 Minutes

Directed by | Maéva Thibeault | Cinematography by | Ian MacDougall | Editing by | Richard Macdonald, Maéva Thibeault, Mackenzie Warner

Starring | Ben Cotton, Rebekah Asselstine, Jessica Harmon, Craig March

Cameras | Red Digital Cinema Cameras, Red Epic Camera

Lenses | Fujinon Cabrio (ZK3.5 × 85) 85-300mm T2.9/4.0 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Ultra Prime Lenses

App (2013)

Motion Picture | 2D | Color | 75 Minutes

Directed by | Bobby Boermans | Cinematography by | Ezra Reverda | Editing by | Brian Ent

Starring | Hannah Hoekstra, Isis Cabolet, Robert de Hoog, Mark van Eeuwen

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Ultra Prime Lenses

Concussion (2013)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Stacie Passon | Cinematography by | David Kruta | Editing by | Anthony Cupo

Starring | Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Ben Shenkman

Cameras | Red Epic Camera

Lenses | Zeiss Lenses

Dallas Buyers Club (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Zeiss Lenses

Unbroken (2014)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Angelina Jolie | Cinematography by | Roger Deakins | Editing by | William Goldenberg, Tim Squyres

Starring | Jack O'Connell, Miyavi, Domhnall Gleeson, Garrett Hedlund

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Tôkyô kazoku (2013)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii

Starring | Isao Hashizume, Kazuko Yoshiyuki, Masahiko Nishimura, Yui Natsukawa

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

La grande bellezza (2013)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli

Starring | Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Comme un lion (2012)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Samuel Collardey | Cinematography by | Samuel Collardey, Charles Wilhelem | Editing by | Sylvie Lager

Starring | Mytri Attal, Marc Barbé, Jean-François Stévenin, Anne Coesens

Cameras | ARRI ALEXA Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

Möbius (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet

Starring | Jean Dujardin, Cécile de France, Tim Roth, Émilie Dequenne

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

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