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Zeiss | 843 Titles

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Shameless (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 46 Minutes

| Cinematography by | Kevin McKnight, Rodney Charters, Anthony Hardwick, Loren S. Yaconelli, James M. Muro | Editing by | John M. Valerio, Regis Kimble, Tim Tommasino, Russell Denove, Mark Strand, Gregg Featherman, Kelley Dixon, Finnian Murray, Michael Stern, Thomas M. Bolger, Robert Bramwell, Omar Hassan-Reep, Shannon Mitchell, Kevin D. Ross, Mark Sadlek, Toby Yates, Julie Monroe, Jeffrey M. Werner, Sam Bollinger, David Moritz, Brent McReynolds, Chetin Chabuk

Starring | Emmy Rossum, William H. Macy, Ethan Cutkosky, Jeremy Allen White

Cameras | ARRI ALEXA Camera, Red One MX Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Boss (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 56 Minutes

| Cinematography by | Richard Rutkowski, Kasper Tuxen | Editing by | Kevin Casey, Elba Sanchez-Short, Stephen Mark, Jo Francis, J. Kathleen Gibson, Elliot Graham, Dorian Harris

Starring | Kelsey Grammer, Connie Nielsen, Hannah Ware, Jeff Hephner

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Raid 2 (2014)

Motion Picture | 2D | Color | 150 Minutes

Directed by | Gareth Evans | Cinematography by | Matt Flannery, Dimas Imam Subhono | Editing by | Gareth Evans

Starring | Iko Uwais, Yayan Ruhian, Arifin Putra, Oka Antara

Cameras | GoPro HD Hero3 Camera, Red Epic Camera, Red Scarlet Camera

Lenses | Zeiss Ultra Prime Lenses

Little Dorrit (2008)

Miniseries | 2D | Color | 420 Minutes

| Cinematography by | Owen McPolin, Lukas Strebel, Alan Almond | Editing by | Philip Kloss, Nick Arthurs, David Head

Starring | Claire Foy, Matthew Macfadyen, Tom Courtenay, Judy Parfitt

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Mafiosa (2006)

Television Series | 2D | Color | 1.78:1 (16x9) | 416 Minutes

| Cinematography by | Aleksander Kaufmann, Pierre Novion, Patrick Blossier | Editing by | Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson

Starring | Hélène Fillières, Phareelle Onoyan, Eric Fraticelli, Véronique Volta

Cameras | ARRI ALEXA Camera, ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses

Stranger Within (2013)

Direct to Video | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Adam Neutzsky-Wulff | Cinematography by | Michael Sauer Christensen | Editing by | Niels Ostenfeld

Starring | William Baldwin, Estella Warren, Sarah Butler, Jeffrey Pierce

Cameras | Canon EOS-5D Mark II Camera, Red One Camera

Lenses | Zeiss Ultra Prime Lenses

Les aventures de Philibert, capitaine puceau (2011)

Motion Picture | 2D | 1.85:1 | 103 Minutes

Les aventures de Philibert, capitaine puceau | ShotOnWhat?

Directed by | Sylvain Fusée | Cinematography by | Régis Blondeau | Editing by | Reynald Bertrand

Starring | Jérémie Renier, Alexandre Astier, Manu Payet, Élodie Navarre

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Requiem pour une tueuse (2011)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Jérôme Le Gris | Cinematography by | Antoine Monod | Editing by | Claire Fieschi

Starring | Mélanie Laurent, Clovis Cornillac, Tchéky Karyo, Xavier Gallais

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Leila (2010)

Motion Picture | 2D | Color | 2.39:1 | 85 Minutes

Directed by | Audrey Estrougo | Cinematography by | Guillaume Schiffman | Editing by | Sophie Reine

Starring | Leïla Bekhti, Benjamin Siksou, Cécile Cassel, Marie-Sohna Condé

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Une nuit (2012)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Philippe Lefebvre | Cinematography by | Jérôme Alméras | Editing by | Pascale Fenouillet

Starring | Roschdy Zem, Sara Forestier, Samuel Le Bihan, Grégory Fitoussi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Je n’ai rien oublié (2010)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Bruno Chiche | Cinematography by | Thomas Hardmeier | Editing by | Marion Monnier

Starring | Gérard Depardieu, Alexandra Maria Lara, Françoise Fabian, Niels Arestrup

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Cooke S4 Lenses

La brindille (2011)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Emmanuelle Millet | Cinematography by | Antoine Héberlé | Editing by | Emmanuelle Castro, Anny Danché

Starring | Christa Théret, Johan Libéreau, Maud Wyler, Anne Le Ny

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Les hommes libres (2011)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Ismaël Ferroukhi | Cinematography by | Jérôme Alméras | Editing by | Annette Dutertre

Starring | Tahar Rahim, Michael Lonsdale, Mahmud Shalaby, Lubna Azabal

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

On ne choisit pas sa famille (2011)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Christian Clavier | Cinematography by | Pascal Ridao | Editing by | Christophe Pinel

Starring | Christian Clavier, Jean Reno, Muriel Robin, Héléna Noguerra

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Un baiser papillon (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Karine Silla | Cinematography by | Thomas Hardmeier | Editing by | Anny Danché

Starring | Valeria Golino, Elsa Zylberstein, Vincent Perez, Jalil Lespert

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses

Le moine (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Dominik Moll | Cinematography by | Patrick Blossier | Editing by | François Gédigier, Sylvie Lager

Starring | Vincent Cassel, Déborah François, Joséphine Japy, Sergi López

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Sur la piste du Marsupilami (2012)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux

Starring | Jamel Debbouze, Alain Chabat, Fred Testot, Lambert Wilson

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Switch (2011)

Motion Picture | 2D | Color | 2.39:1 | 8 Minutes

Directed by | Thomas Hefferon | Cinematography by | Jj Rolfe | Editing by | Eamonn Cleary

Starring | Barry Barnes, Lesley Conroy, Sean Buzz Doyle, Jane McGrath

Cameras | Aaton 35-III Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

Madeleine (2015)

Motion Picture | 2D | Color |

Directed by | Lorenzo Ceva Valla, Mario Garofalo | Cinematography by | Federico Torres

Starring | Chloé Thill, Adèle Zaglia, Adriana De Guilmi, Marco Cacciola

Cameras | Red Epic Camera

Lenses | Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Her (2013)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Spike Jonze | Cinematography by | Hoyte Van Hoytema | Editing by | Jeff Buchanan, Eric Zumbrunnen

Starring | Joaquin Phoenix, Amy Adams, Scarlett Johansson, Rooney Mara

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

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