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Zeiss | 843 Titles

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Bird People (2014)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard

Starring | Josh Charles, Anaïs Demoustier, Roschdy Zem, Radha Mitchell

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Les gamins (2013)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Anthony Marciano | Cinematography by | Jean-Paul Agostini | Editing by | Virginie Bruant, Samuel Danési

Starring | Alain Chabat, Max Boublil, Sandrine Kiberlain, Mélanie Bernier

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

La dune (2013)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Yossi Aviram | Cinematography by | Antoine Héberlé

Starring | Niels Arestrup, Lior Ashkenazi, Guy Marchand, Emma de Caunes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Le grand retournement (2013)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Gérard Mordillat | Cinematography by | François Catonné | Editing by | Marie Quinton

Starring | Jacques Weber, François Morel, Edouard Baer, Franck de la Personne

Cameras | Sony PMW-F3 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

Blood Ties (2013)

Motion Picture | 2D | Color | 127 Minutes

Directed by | Guillaume Canet | Cinematography by | Christophe Offenstein | Editing by | Hervé de Luze

Starring | Clive Owen, Marion Cotillard, Billy Crudup, Mila Kunis

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Faust (2011)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 140 Minutes

Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild

Starring | Johannes Zeiler, Anton Adasinsky, Isolda Dychauk, Georg Friedrich

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Something in the Air (2012)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Olivier Assayas | Cinematography by | Eric Gautier | Editing by | Luc Barnier

Starring | Clément Métayer, André Marcon, Lola Créton, Felix Armand

Cameras | Aaton 35-III Camera, Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Un beau dimanche (2013)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet

Starring | Pierre Rochefort, Louise Bourgoin, Dominique Sanda, Déborah François

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

En solitaire (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Christophe Offenstein | Cinematography by | Guillaume Schiffman | Editing by | Ruy Diaz, Véronique Lange

Starring | François Cluzet, Samy Seghir, Virginie Efira, Guillaume Canet

Cameras | Red Epic Camera, Red Scarlet Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Do Not Disturb (2012)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé

Starring | François Cluzet, Yvan Attal, Laetitia Casta, Charlotte Gainsbourg

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Quelques heures de printemps (2012)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Stéphane Brizé | Cinematography by | Antoine Héberlé | Editing by | Anne Klotz

Starring | Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Trois mondes (2012)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Catherine Corsini | Cinematography by | Claire Mathon | Editing by | Muriel Breton

Starring | Raphaël Personnaz, Clotilde Hesme, Arta Dobroshi, Reda Kateb

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Renoir (2012)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Gilles Bourdos | Cinematography by | Ping Bin Lee | Editing by | Yannick Kergoat

Starring | Michel Bouquet, Christa Théret, Vincent Rottiers, Thomas Doret

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

À coeur ouvert (2012)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel

Starring | Juliette Binoche, Edgar Ramírez, Hippolyte Girardot, Amandine Dewasmes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Bienvenue parmi nous (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta

Starring | Patrick Chesnais, Jeanne Lambert, Miou-Miou, Jacques Weber

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Le crocodile du Botswanga (2014)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Lionel Steketee, Fabrice Eboué | Cinematography by | Stéphane Le Parc | Editing by | Frédérique Olszak

Starring | Thomas N'Gijol, Fabrice Eboué, Claudia Tagbo, Ibrahim Koma

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Master Anamorphic Lenses, Fujinon Alura Lenses

Upstairs Downstairs (2010)

Television Series | 2D | Color | 1.78:1 (16x9) |

| Cinematography by | Adam Suschitzky, John Conroy, Peter Greenhalgh, Ian Moss | Editing by | Úna Ní Dhonghaíle, Paul Brown, Crispin Green, Isobel Stephenson, Caroline Limmer

Starring | Keeley Hawes, Ed Stoppard, Adrian Scarborough, Neil Jackson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses

The Monuments Men (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione

Starring | George Clooney, Matt Damon, Bill Murray, Cate Blanchett

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

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