Zeiss | 843 Titles
Les yeux jaunes des crocodiles (2014)
Directed by | Cécile Telerman | Cinematography by | Colin Houben, Pascal Ridao
Cameras | ARRI ALEXA Camera
Leviathan (2014)
Directed by | Andrey Zvyagintsev | Cinematography by | Mikhail Krichman | Editing by | Anna Mass
Cameras | ARRIFLEX Camera
Lenses | Zeiss Master Prime Lenses
La ritournelle (2014)
Directed by | Marc Fitoussi | Cinematography by | Agnès Godard | Editing by | Laure Gardette
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses
Deux jours, une nuit (2014)
Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo
Cameras | ARRI ALEXA M Camera
My King (2015)
Directed by | Maïwenn | Cinematography by | Claire Mathon | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses
Wild (2014)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA XT Camera
Under the Skin (2013)
Directed by | Jonathan Glazer | Cinematography by | Daniel Landin | Editing by | Paul Watts
Cameras | ARRI ALEXA Plus Camera, one-cam Camera
Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses
The Homesman (2014)
Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi
Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses
The Imitation Game (2014)
Directed by | Morten Tyldum | Cinematography by | Oscar Faura | Editing by | William Goldenberg
Lenses | Zeiss Master Prime Lenses
The Hobbit: The Battle of the Five Armies (2014)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Snowpiercer (2013)
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim
Rosewater (2014)
Directed by | Jon Stewart | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Plus Camera
Ida (2013)
Directed by | Pawel Pawlikowski | Cinematography by | Ryszard Lenczewski, Lukasz Zal | Editing by | Jaroslaw Kaminski
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Zeiss Ultra Prime Lenses
Le temps des aveux (2014)
Directed by | Régis Wargnier | Cinematography by | Renaud Chassaing | Editing by | Véronique Lange, Yann Malcor
Cameras | ARRI ALEXA Plus Camera
A Most Wanted Man (2014)
Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson
Cameras | ARRI ALEXA M Camera
Lenses | Zeiss Super Speed Lenses
A Most Violent Year (2014)
RED (2010)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Ping Pong Summer (2014)
Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
Et ta soeur (2015)
Directed by | Marion Vernoux | Cinematography by | Nicolas Gaurin | Editing by | Guerric Catala
Cameras | ARRI AMIRA Camera
Recien cazado (2009)
Directed by | Rene Bueno | Cinematography by | Alberto Lee | Editing by | Rene Bueno, Zeiddy Silva-Rios Viggiano
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses
