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Ojalá vivas tiempos interesantes (2017)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 110 Minutes

Directed by | Santiago Van Dam | Cinematography by | Gaspar Quique Silva | Editing by | Lourdes Miere

Starring | Benjamín Rojas, Emilia Attías, Mario Alarcón

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Nikon - Nikkor Lenses

The Favourite (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 119 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Poor Things (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1 | 141 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Mark Ruffalo, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses

CSI: Crime Scene Investigation (2000)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona | Editing by | John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt

Starring | William Petersen, Laurence Fishburne, Ted Danson

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

The Matrix Resurrections (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Lana Wachowski | Cinematography by | Daniele Massaccesi, John Toll | Editing by | Joseph Jett Sally

Starring | Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II

Cameras | Red Komodo Camera

Lenses | Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Gyani Maiya (2019)

Documentary | 2D | 2K Project | Color | 2.39:1 | 25 Minutes

Directed by | Subhashish Panigrahi | Cinematography by | Subhashish Panigrahi | Editing by | Subhashish Panigrahi

Starring | Gyani Maiya Sen Kusunda, Uday Raj Aaley

Cameras | Canon Cameras, Nikon Cameras

Lenses | Canon EF-S 18-55mm f4 Lens, Nikon - Nikkor Lenses

GoldenEye (1995)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 130 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Protectors (2020)

Motion Picture | 2K Project | Color | 2.39:1 |

Directed by | Jason Piccolo | Editing by | Jason Piccolo

Starring | Max Martini, Remi Adeleke, Loren Avedon, Glann Banton

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Nikon AI-S Nikkor 50 mm f1.4 Lens, Tamron AF 17-50 mm f2.8 Lens

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

Northern Lights (2016)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 54 Minutes

Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil

Starring | Gemma Paige North, Rhys Cadman, Katherine Quinn

Cameras | Blackmagic Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses, Rokinon Lenses, Samyang Lenses

Dexter (2006)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Starring | Michael C. Hall, Jennifer Carpenter, David Zayas, James Remar

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Troubling Youth (2019)

Short Film | 2D | HD Project | Color | 2.39:1 |

Directed by | Caleb Nsingi | Cinematography by | Nicolas Gagnon | Editing by | Caleb Nsingi

Starring | Alex Belke, Isabella DeBrienne, Ricardo Grand-Pierre

Cameras | Nikon Cameras

Lenses | Nikon - Nikkor Lenses

Phantom Thread (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor

Starring | Vicky Krieps, Daniel Day-Lewis, Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Cooper’s Treasure (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth

Starring | Darrell Miklos, Roger Miklos, Manuel Rodriguez, Charles Gregory Schwartz

Cameras | Canon EOS-C300 Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon EF Series Lenses, Nikon - Nikkor Lenses

The Thistle in the Kiss (2023)

Motion Picture | 2D | HD Project | Black & White, Color | 1.78:1 (16x9) | 80 Minutes

Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti

Starring | Leonora Cooke, Sarah Coyne, Craig Andrew Robertson

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses

The Protectors (2020)

Motion Picture | 4K Project | Color | 90 Minutes

Directed by | Ben Hughes | Cinematography by | Ben Hughes

Starring | Chris Abbey Jr., Gabriel Kamas, Chris Massoglia

Cameras | Panasonic Lumix DMC-GH4 Camera

Operator (2016)

Motion Picture | 2D | 2K Project | Color | 87 Minutes

Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens

Starring | Martin Starr, Mae Whitman, Nat Faxon

Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera

Lenses | Zeiss Lenses

Dirty Mirrors (2022)

Direct to Video | 2D | HD Project | Black & White | 1.33:1 (4x3) |

Directed by | Gus M. Hile

Starring | Izaak Love, Tessa Neilson, Vanessa Davis

Cameras | Nikon Cameras

Monster (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Anthony Mandler | Cinematography by | David Devlin | Editing by | Joe Klotz

Starring | ASAP Rocky, John David Washington, Kelvin Harrison Jr.

Cameras | Red Epic Dragon Camera

Lenses | Cineovision Lenses, Nikon - Nikkor Lenses, Zeiss Lenses

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