Digital Intermediate Finishing Process | 1761 Titles
Revolutionary Road (2008)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Tariq Anwar
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Around the World in 80 Days (2004)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Tom Lewis
Cameras | Panavision Panaflex Gold II Camera
Love & Other Drugs (2010)
The Chorus (2004)
Directed by | Christophe Barratier | Cinematography by | Jean-Jacques Bouhon, Dominique Gentil, Carlo Varini | Editing by | Yves Deschamps
Lenses | Hawk Anamorphic Lenses
American Reunion (2012)
Directed by | Jon Hurwitz, Hayden Schlossberg | Cinematography by | Daryn Okada | Editing by | Jeff Betancourt
Cameras | Panavision Panaflex Platinum Camera
Lions for Lambs (2007)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Joe Hutshing
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Confidences trop intimes (2004)
Directed by | Patrice Leconte | Cinematography by | Eduardo Serra | Editing by | Joëlle Hache
Cameras | Panavision Panaflex Millennium Camera
Lie with Me (2005)
Directed by | Clement Virgo | Cinematography by | Barry Stone | Editing by | Susan Maggi
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Dolphin Tale (2011)
Directed by | Charles Martin Smith | Cinematography by | Karl Walter Lindenlaub | Editing by | Harvey Rosenstock
Cameras | Red One MX Camera
Get Low (2009)
Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Aaron Schneider
Cameras | Panavision Panaflex Gold II Camera
Sin City (2005)
Directed by | Frank Miller, Robert Rodriguez, Quentin Tarantino | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDC-F950 Camera, Sony Other Camera
In Bruges (2008)
Down with Love (2003)
Directed by | Peyton Reed | Cinematography by | Jeff Cronenweth | Editing by | Larry Bock
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Death Race 2 (2010)
Directed by | Roel Reiné | Cinematography by | John Mckay, Roel Reiné | Editing by | Radu Ion, Herman P. Koerts
Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Real Steel (2011)
Directed by | Shawn Levy | Cinematography by | Mauro Fiore | Editing by | Dean Zimmerman
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Finding Neverland (2004)
Devil (2010)
Directed by | John Erick Dowdle | Cinematography by | Tak Fujimoto | Editing by | Elliot Greenberg
Cameras | Panavision Cameras
Gods and Generals (2003)
Directed by | Ron Maxwell | Cinematography by | Kees Van Oostrum | Editing by | Corky Ehlers
Cameras | Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
Piranha 3D (2010)
Directed by | Alexandre Aja | Cinematography by | John R. Leonetti | Editing by | Baxter
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
