Digital Intermediate Finishing Process | 1761 Titles
Sutures (2009)
Directed by | Tammi Sutton | Cinematography by | Kirk Douglas | Editing by | Frederick Wardell
Cameras | Red One Camera
The Way of War (2009)
Directed by | John R. Carter | Cinematography by | Kevin Sarnoff | Editing by | Matthew Booth, Chris Allen Williams
Cameras | ARRI Cameras
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
Jagten (2012)
Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens
Bobby Jones: Stroke of Genius (2004)
Directed by | Rowdy Herrington | Cinematography by | Tom Stern | Editing by | Pasquale Buba
Cameras | Panavision Cameras
Gone in Sixty Seconds (2000)
Directed by | Dominic Sena | Cinematography by | Paul Cameron | Editing by | Roger Barton, Chris Lebenzon, Tom Muldoon
Elle s’appelait Sarah (2010)
Directed by | Gilles Paquet-Brenner | Cinematography by | Pascal Ridao | Editing by | Hervé Schneid
Cameras | Red One Camera
Earthwork (2009)
Directed by | Chris Ordal | Cinematography by | Bruce Francis Cole | Editing by | Brad Roszell
Cameras | Red One Camera
Rambo (2008)
Directed by | Sylvester Stallone | Cinematography by | Glen MacPherson | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Ultra Prime Lenses
The Human Stain (2003)
Directed by | Robert Benton | Cinematography by | Jean-Yves Escoffier | Editing by | Christopher Tellefsen
Lenses | Panavision Primo Anamorphic Lenses
Bronson (2008)
Amazing Grace (2006)
Directed by | Michael Apted | Cinematography by | Remi Adefarasin | Editing by | Rick Shaine
Cameras | ARRI Cameras
Terumae romae (2012)
Directed by | Hideki Takeuchi | Cinematography by | Kazunari Kawagoe | Editing by | Hiroshi Matsuo
Cameras | Red One MX Camera
The Bourne Supremacy (2004)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Richard Pearson, Christopher Rouse
Cameras | ARRI Cameras
Pathfinder (2007)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Jay Friedkin, Glen Scantlebury
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Summer (2008)
Directed by | Kenneth Glenaan | Cinematography by | Tony Slater Ling | Editing by | Kristina Hetherington
Cameras | ARRI Cameras
Trespass (2011)
Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Bill Pankow
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Fertile Ground (2011)
Directed by | Adam Gierasch | Cinematography by | Yaron Levy | Editing by | Andrew Cohen
Cameras | Red One Camera
Jiang shi xin zhan shi (2010)
Directed by | Dennis Law | Cinematography by | Herman Yau | Editing by | Chi Wai Yau
Cameras | Moviecam Compact Camera
L: Change the World (2008)
Directed by | Hideo Nakata | Cinematography by | Tokushô Kikumura | Editing by | Nobuyuki Takahashi
Cameras | ARRIFLEX 535 B Camera
