Digital Intermediate Finishing Process | 1761 Titles
A Night for Dying Tigers (2010)
Directed by | Terry Miles | Cinematography by | Lindsay George, Terry Miles | Editing by | Terry Miles
Cameras | Red One Camera
The Black Balloon (2008)
Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Sick Boy (2012)
Directed by | Tim T. Cunningham | Cinematography by | Sean C. Cunningham
Cameras | Canon EOS-7D Camera
The Ward (2010)
Directed by | John Carpenter | Cinematography by | Yaron Orbach | Editing by | Patrick McMahon
Cameras | Moviecam Compact MK2 Camera
Lenses | Zeiss Ultra Prime Lenses
Girl in Progress (2012)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Dan Schalk
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses
The Woods (2006)
Directed by | Lucky McKee | Cinematography by | John R. Leonetti | Editing by | Dan Lebental, Joel Plotch
Cameras | Panavision Cameras
Chrome Angels (2009)
Directed by | Leigh Scott | Cinematography by | Steven Parker | Editing by | Kristen Quintrall
Cameras | Red One Camera
Growth (2010)
Directed by | Gabriel Cowan | Cinematography by | Grisha Alasadi, Katie Boyum, Mark Putnam, Richard J. Vialet | Editing by | John Suits
Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
To Rome with Love (2012)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses
Blood: The Last Vampire (2009)
Directed by | Chris Nahon | Cinematography by | Hang-Sang Poon | Editing by | Marco Cavé
Cameras | ARRI Cameras, ARRIFLEX 435 Xtreme Camera
Nancy Drew (2007)
Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman
Lenses | Panavision Primo Anamorphic Lenses
Goon (2011)
Directed by | Michael Dowse | Cinematography by | Bobby Shore | Editing by | Reginald Harkema
Cameras | Red One MX Camera
17 Miracles (2011)
Directed by | T.C. Christensen | Cinematography by | T.C. Christensen | Editing by | Tanner Christensen
Cameras | ARRIFLEX 16SR Camera, ARRIFLEX 435 Camera
Cloned: The Recreator Chronicles (2012)
Directed by | Gregory Orr | Cinematography by | David Tumblety | Editing by | Scott Martin
Cameras | Red One Camera
Otelo Burning (2011)
Directed by | Sara Blecher | Cinematography by | Lance Gewer | Editing by | Megan Gill
Cameras | Red One Camera
Frankenweenie (2012)
Directed by | Tim Burton | Cinematography by | Peter Sorg | Editing by | Chris Lebenzon, Mark Solomon
Cameras | Canon EOS-5D Mark II Camera
Walled In (2009)
Directed by | Gilles Paquet-Brenner | Cinematography by | Karim Hussain | Editing by | Jackie Dzuba
Cameras | ARRIFLEX 535 B Camera
Life as We Know It (2010)
Directed by | Greg Berlanti | Cinematography by | Andrew Dunn | Editing by | Jim Page
Lenses | Panavision Primo Anamorphic Lenses
Wickie auf großer Fahrt (2011)
Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Ueli Christen
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Take (2007)
Directed by | Charles Oliver | Cinematography by | Tristan Whitman | Editing by | Andrew McAllister
Lenses | Panavision Primo Anamorphic Lenses
