Digital Intermediate Finishing Process | 1761 Titles
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Florbela (2012)
Directed by | Vicente Alves do Ó | Cinematography by | Luís Branquinho | Editing by | João Braz
Cameras | Red One Camera
Two Lovers (2008)
Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad
Lenses | Cooke S4 Lenses
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
In the Loop (2009)
Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Aquamarine (2006)
Directed by | Elizabeth Allen Rosenbaum | Cinematography by | Brian J. Breheny | Editing by | Jane Moran
Cameras | Panavision Cameras
Skinwalkers (2006)
Directed by | James Isaac | Cinematography by | David A. Armstrong, Adam Kane | Editing by | Allan Lee
Cameras | Panavision Cameras
Kaleidoscope (2012)
Directed by | Avital Ash | Cinematography by | Simon Thirlaway | Editing by | Adam Deyoe, Roberto Jimenez, Hannah Long, Lizz Rantze
Cameras | Red One Camera
Smokin’ Aces 2: Assassins’ Ball (2010)
Directed by | P.J. Pesce | Cinematography by | David Geddes | Editing by | Angela M. Catanzaro
Cameras | Panavision Genesis Camera
Hameno Koritsi (2012)
Directed by | Nikos Pastras | Cinematography by | Yannis Kanakis | Editing by | Angelos Frantzis, Nikos Pastras
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Lenses
Villa Amalia (2009)
Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Thank You for Smoking (2005)
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
Tooth Fairy 2 (2012)
Directed by | Alex Zamm | Cinematography by | Levie Isaacks | Editing by | Heath Ryan
Cameras | ARRI ALEXA Camera
The Guys (2002)
Directed by | Jim Simpson | Cinematography by | Maryse Alberti | Editing by | Sarah Flack
Cameras | Aaton Cameras, Panavision Cameras
The Raven (2012)
El Detective Cojines (2011)
Directed by | Radamés Sánchez | Cinematography by | Carlos García Arce | Editing by | Carlos Camuñas, Carlos García Arce
Cameras | ARRI Cameras
Antiviral (2012)
Directed by | Brandon Cronenberg | Cinematography by | Karim Hussain | Editing by | Matthew Hannam
Cameras | ARRI ALEXA Camera
Babylon A.D. (2008)
Directed by | Mathieu Kassovitz | Cinematography by | Thierry Arbogast | Editing by | Benjamin Weill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera
Lenses | Panavision Primo Anamorphic Lenses
4 Months, 3 Weeks and 2 Days (2007)
Directed by | Cristian Mungiu | Cinematography by | Oleg Mutu | Editing by | Dana Bunescu
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Ultra Prime Lenses
