Kodak Vision3 250D 5207/7207 Neg. Film | 149 Titles
The Big Short (2015)
Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Carol (2015)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves
Cameras | ARRIFLEX 416 Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
The Hateful Eight (2015)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Goliyon Ki Rasleela Ram-Leela (2013)
Directed by | Sanjay Leela Bhansali | Cinematography by | Ravi Varman | Editing by | Sanjay Leela Bhansali, Rajesh Pandey
Leviathan (2014)
Directed by | Andrey Zvyagintsev | Cinematography by | Mikhail Krichman | Editing by | Anna Mass
Cameras | ARRIFLEX Camera
Lenses | Zeiss Master Prime Lenses
The Homesman (2014)
Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi
Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses
The Imitation Game (2014)
Directed by | Morten Tyldum | Cinematography by | Oscar Faura | Editing by | William Goldenberg
Lenses | Zeiss Master Prime Lenses
Snowpiercer (2013)
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim
Grace of Monaco (2014)
Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses
Le Havre (2011)
Directed by | Aki Kaurismäki | Cinematography by | Timo Salminen | Editing by | Timo Linnasalo
Cameras | ARRI Cameras
St. Vincent (2014)
Directed by | Theodore Melfi | Cinematography by | John Lindley | Editing by | Sarah Flack, Peter Teschner
Fury (2014)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Foxcatcher (2014)
Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill
Million Dollar Arm (2014)
Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
Transcendence (2014)
Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Tôkyô kazoku (2013)
Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii
Cameras | ARRIFLEX 535 B Camera
Möbius (2013)
Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Quartet (2012)
Mauvaise fille (2012)
Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses
Let My People Go! (2011)
Directed by | Mikael Buch | Cinematography by | Céline Bozon | Editing by | Simon Jacquet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens
