Kodak Vision3 250D 5207/7207 Neg. Film | 142 Titles
Boardwalk Empire (2010)
| Cinematography by | William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier | Editing by | Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Merlin (2008)
| Cinematography by | Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell | Editing by | Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses | Cooke Lenses, Cooke S4 Lenses
Burlesque (2010)
Directed by | Steve Antin | Cinematography by | Bojan Bazelli | Editing by | Virginia Katz
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
Lincoln (2012)
Taken 2 (2012)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre, Vincent Tabaillon
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras
The Twilight Saga: Breaking Dawn – Part 2 (2012)
Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz, Ian Slater
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
People Like Us (2012)
Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton
Lenses | Cooke S4 Lenses
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
Now Is Good (2012)
Directed by | Ol Parker | Cinematography by | Erik Wilson | Editing by | Peter Lambert
Lenses | Zeiss Master Prime Lenses
The Black Balloon (2008)
Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Third Star (2010)
Directed by | Hattie Dalton | Cinematography by | Carlos Catalán | Editing by | Peter Christelis
Cameras | ARRI Cameras
Up in the Air (2009)
The Twilight Saga: Breaking Dawn – Part 1 (2011)
Let Me In (2010)
Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | Stan Salfas
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
A Nightmare on Elm Street (2010)
Directed by | Samuel Bayer | Cinematography by | Jeff Cutter | Editing by | Glen Scantlebury
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Hearat Shulayim (2011)
Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera
War Horse (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
The Place Beyond the Pines (2012)
Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane
The Clink of Ice (2010)
Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier
Cameras | Aaton Penelope Camera
